Voices from Heaven (
thespaceopera) wrote in
driftfleet2015-10-20 11:18 am
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Entry tags:
- !event,
- ahsoka tano,
- coil lenn,
- margaret "peggy" carter,
- nami,
- natasha romanoff,
- nelkeila tarid,
- nyssa al ghul,
- octavia blake,
- one,
- phèdre nó delaunay de montrève,
- r. daneel olivaw,
- rapunzel,
- remy lebeau,
- riku,
- robin redbreast,
- rogue,
- santanico pandemonium,
- shawn hunter,
- sokka,
- stefan salvatore,
- steve rogers (ou),
- steven quartz universe,
- stiles stilinski,
- syeira,
- tadashi hamada,
- tekhetsio,
- the vision,
- vash the stampede,
- vima sunrider,
- wanda maximoff,
- wrath,
- yamanaka ino
...And also these.
( for N-Z characters )
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Wrath
Something isn't right, though. There are holes punched through the buildings, pipes left hanging in midair, water running endlessly, wires sparking away at nothing. You can't get out into the city to investigate, though. There's a razor-wire topped fence in the way (is it supposed to keep you in or others out?) and it just grows taller and taller if climbed.
She's on the parade ground, dancing around the edge of bottomless pits that have been punched through the ground. The cloying scent of honey wafts out of them. Wrath doesn't notice; she's doing sword exercises, or riding patterns on her hovercycle. At least that's probably Wrath; she's about the right size, but she's in full infantry armor, complete with black helmet. Red piping edges her sleeves and collar.
Most of the buildings on the base are locked, and the keypads inform you that you don't have the necessary security clearance. Other buildings, you just can't seem to get to; you always end up by the parade ground and barracks if you wander too far. But the barracks open into an art gallery, one that feels much airier and more expansive than the actual building that houses it. The halls are filled with paintings, in a myriad of styles from childish to impressionist paintings of light to horrific images in red and black. And on one of the benches, a calico tabby kitten sleeps, her tail tucked around her paws.]
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this, though? fuck, man. this isn't his turf at all.
sure, the city reminds him of the absolute madness the Third End caused, but he's got no interest in revisiting such things. so, he spends a while wandering and looking and trying to make sense of what's inside the walls, but he seems to go in circles when he isn't flat-out locked of things. eventually he finds himself back on the parade grounds, with the chaotic sweet smell and the bottomless pits and the woman who's doing some sort of combat practice (he guesses).
and he still doesn't have a clue to the way out, or who this belongs to, or even what he wants to do here... so he makes the decision to go walk up and interrupt the person in full, vaguely scary armor, despite his better sense.]
Excuse me.
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You look like a civilian so... you probably shouldn't be here. Are you lost?
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Yeah, I... Seem to have turned myself around a couple of times. [not totally a lie. he scratches his head, glancing down into one of those pits...] And the ominous, gaping holes in the ground are kind of throwing me off...
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Oh? It's not like that where you're from? What part of the city?
I'm surprised the guards let you in the gate.
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Oh, the edge of things. It's... [he waves his hand. maybe she won't ask questions. he hopes "the edge" of the city isn't secretly on fire, or something that would invalidate his comment.]
It's been a strange day. [a beat. he glances down at the pits again.] Are they full of horrible giant monster bees? That seems like what would be down there.
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Eventually, she turns her gaze from the sky and back towards the figure weaving her way through the pits, sword in hand. It's hard to tell for sure, but judging from the person's build and height, and the way she moves, Beverly would guess that it's Wrath. In any case, she's not really counting on them answering her, the way these things have gone, but she calls out anyway.]
Hello?
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Beverly's come for a visit at home, maybe? Okay, she can roll with that. It makes just enough sense.
She pulls off her helmet, her hair tumbling down around her shoulders.]
Hi, Beverly! What are you doing here?
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I wanted to see you.
[Not a total lie at least.]
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It's good to see you too! You should have called, though. It's dangerous to go out without backup.
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He finds her quickly enough, though he blinks in confusion at the figure below. It looks an awful lot like a figure from that movie about humans getting trapped in a computer and meeting programs. The sky is decidedly non-electronic, though, so perhaps he isn't in a robotic mind.]
Excuse me.
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She pulls her helmet off, and there's the familiar pink hair.] Hey! When did you get clearance?
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Recently, I'm afraid. Is this a safe place to conduct your training?
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I'm sorry to hear that. But it seems you're used to working within those constraints?
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Luckily her next attempt at exploration goes a lot better, and she's treated tot he sight of Wrath practising sword exercises.]
What lovely form.
[She may or may not actually be talking about the exercises.]
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This is a restricted area. State your authorization code.
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My dear, if it's restricted, you're doing a rather poor job of keeping people out of it.
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[Yeah, someone is going to get in trouble with their CO if she had anything to do with it. Because of its the base, obviously there are going to be guards... Somewhere.]
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Which is, I take it, a problem.
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[ The art gallery is open — his eyes glaze over the paintings. It's always the horror that draws him — both the men he is — into its grip, and he traces the air over one of the paintings filled with red. ]
What's this, now?
wtg Jim, pick a super awful thing right off the bat
It isn't one distinct memory, but a jumble, free association, a grain of thought and feeling for each brush stroke.
A stocky man with a dark goatee, eyes glimmering out of a coating of ash and filth. Octavian. He's grinning. He's always grinning because you joke with him, you throw rat bars at him, you put spent energy casings in his boots. You keep each other sane. Envy and Wrath, best partners
and he turns a black cylinder over in his hand, a dark shot glass, a shot, a gun, because he's got a gun
got a gun
a gun fixes everything
and it's that high-pitched whine in your ears, the sound of a drill, echoing and echoing and echoing, the smell of hot bone
Octavian raises the glass to salute you, the gun to the forehead of a woman with her mouth open like an O of shock, the gun to his own temple and his eyes aren't sparkling any more, his eyes aren't his as his finger squeezes
"We're not broken," he says, and the world is red. "We're broken because they break us."]
he's got this
Do you think he's right?
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(The kitten wears a bright pink collar, and has a little heart-shaped tag that reads Jellybean).]
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I'm so sorry
omg
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