[The animals and structures are more detailed, pulled from nature and the memories of the planet. The footsteps of the animals across the snow create echoes of their pawprints, their body weight, the way they move. The world feels their shapes, the snow falls on their bodies. Such images come more easily to him.

The people are far more nondescript, vague shapes that aren't so easily recognized, just random residents rather than known figures. There's something about an especially detailed face that unnerves him - like the Medusa's cathedral, seeing Sergei's brother and his men frozen in stone for eternity. Even if it's just ice, and not real people, it would be weird to replicate the effect.]

I think I still prefer making clothes. One day, when I'm older, though... the ancient seraphim had the power to create whole buildings using their artes. It would be amazing to see that kind of power return to the world.