Kurt Darkholme (
ecclesiophobic) wrote in
driftfleet2016-03-04 05:06 pm
Entry tags:
eins (video/action)
Who: Darkholme and whomsoever dares.
Broadcast: Fleet-wide
Action: Marsiva
When: March 4th
Broadcast (can also be an action option for anyone close enough to hear the racket):
[The communicator comes online in the middle of clattering to the floor, bouncing and skidding until it ends up wedged against something that props it at an odd angle. Most of what it shows is a bland view of the ceiling, though the audio of a heavily-accented German voice grumbling is clear as a bell.]
Goddammit, what part of let me d--what the? [There' s a loud implosion of air, with a similar bamf sound echoing further away. The voice mutters something, words indistinct but tone harsh. The clarity increases with the volume as the owner of the voice begins to swear emphatically, lapsing halfway through into truly inventive German, punctuated by the sounds of clattering and movement. Someone just realized his swords are missing.]
Action:
[Sometime after he's calmed down (and hopefully found the communicator/been given a heads-up on the situation, Kurt temporarily gives up on retrieving his swords and goes exploring his temporary home. Feeling vulnerable without his weapons and with a distinct lack of shadows to blend in to, he opts to scurry along the ceiling on fours in lieu of using the floor like a normal person. It also lets him inspect the ceiling for visible cameras, ventilation shafts, wiring, or anything to give him information about their captors' technology level.
Occasionally he stops near one of the huge windows, the view catching his attention even after he's given up on recognizing any of the stars. Kurt's been in space before, but never for long and always too busy fighting to get a good look at the sky. His own world is so polluted with the aftermath of two wars that the stars are hazy--and that's on the clear nights. It's not a good time to catch him on the floor, but it is a good one to catch his attention without interrupting anything.]
Broadcast: Fleet-wide
Action: Marsiva
When: March 4th
Broadcast (can also be an action option for anyone close enough to hear the racket):
[The communicator comes online in the middle of clattering to the floor, bouncing and skidding until it ends up wedged against something that props it at an odd angle. Most of what it shows is a bland view of the ceiling, though the audio of a heavily-accented German voice grumbling is clear as a bell.]
Goddammit, what part of let me d--what the? [There' s a loud implosion of air, with a similar bamf sound echoing further away. The voice mutters something, words indistinct but tone harsh. The clarity increases with the volume as the owner of the voice begins to swear emphatically, lapsing halfway through into truly inventive German, punctuated by the sounds of clattering and movement. Someone just realized his swords are missing.]
Action:
[Sometime after he's calmed down (and hopefully found the communicator/been given a heads-up on the situation, Kurt temporarily gives up on retrieving his swords and goes exploring his temporary home. Feeling vulnerable without his weapons and with a distinct lack of shadows to blend in to, he opts to scurry along the ceiling on fours in lieu of using the floor like a normal person. It also lets him inspect the ceiling for visible cameras, ventilation shafts, wiring, or anything to give him information about their captors' technology level.
Occasionally he stops near one of the huge windows, the view catching his attention even after he's given up on recognizing any of the stars. Kurt's been in space before, but never for long and always too busy fighting to get a good look at the sky. His own world is so polluted with the aftermath of two wars that the stars are hazy--and that's on the clear nights. It's not a good time to catch him on the floor, but it is a good one to catch his attention without interrupting anything.]

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The Catholic church. [Even trying his best to keep the conversation light and polite, his upper lips twitches with the sneer that comes through in his tone.]
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[And... oh. The Catholic Church, huh? That as very clearly a touchy subject for this Kurt (hard to think of him as Kurt; hard to think of him as anything else. He had their mother's eyes.), and it wasn't something she wanted to pursue particularly, more a thing she felt in defiance of than in connection to. Her drawl intensifies as she tries to fit this into a framework, but even though she thinks she may see an outline, she's learned better than to assume.] I was raised Southern Baptist, myself, though life's taken a few twists an' turns since then. Mostly, I believe in choices.
[Fate. Luck. Screw them both, really. Your life was what you could make of it, your choices all you had against the maelstrom of voices inside your head and the silence at the end of the day.]
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Didn't mean ta get into philosophy 'fore I officially got your name.
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A smile touches his lips, and he bows his head in manners (thus proving he actually knows a few. Shock of shocks.)] Darkholme. My name is Kurt Darkholme.
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Oh. Oh. Well, shit.
At least she'd learned from Remy that Mystique had survived her fall; the crime of actually murdering her mother was no longer on her conscience, though the choice would remain a stain there forever.
At least he didn't seem to hate her, unless he was very, very good at disguising it. Michael Darkholme had; she didn't think that kind of vitriol would hide very well in those burning eyes.
And she wondered what it would have been like, to be raised knowing. She wondered what it had done to him, and what the twisted nature of his world had inflicted on one of the hearts she knew to be as true as a single, pure note.
And a very twisted and dark part of her heart eased, because no matter how she might try to deny it, might hate it, she was Mystique's daughter. Mystique had left her fingerprints in every part of Rogue's life, in her resilience and her practical ruthlessness and in the broken way she viewed the world. She wondered what it would have been like to grow up knowing, but there is no universe where she can imagine Mystique to be anything other than ruthlessly, deceptively, pragmatically deadly, and what would it be like to grow up with someone with those same fingerprints on his soul; what would it be like, now to know someone who could understand the parts of her she sometimes hid, the instinctive method of cost/risk/benefit analysis that took place as she formed her goals?]
Oh. [And she smiles a little, tentative, just in response to his, heart in a vice and doesn't bother to hide -- anything. If there's another thing she learned about life from their mother, through painful experience, it's that relationships built on lies are nothing at all.] That's - different. I reckon you grew up with her, then? An' I did too? Your me, I mean.
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(In his, she'd been prepared to jump--and die--with him. In his, they were heroes; deadly, ruthless, and manipulative as vipers, but they were X-Men. She was his mother, and despite her many flaws never gave him a single reason to think she loved anything more than him. Not even herself.)
But seeing that pause in Rogue, and feeling it hurt, highlights that he's let his guard down. Seeing Kitty shook him, and this counterpart managed to exploit a crack in his armor. Sloppy. In the silence his expression closes off, his chin tilting upward slightly. He won't apologize for being who he is, because he's not sorry for it. Of all the things in life he's ashamed of, he's proud of being his mother's vicious son even when he mourns the loss of innocence that birthed the man he is now. Raven tried so hard to keep her son's dreams intact, even as she taught him how to survive in a world she knew would attack him. (He does, sometimes, let himself hate her for never telling him how strange he was formed. But if she had, would he be as comfortable in his skin as he is now?)
And then Rogue throws him a curve ball with that smile. He blinks and then smiles, a sharp expression not as cruel as it would have been without her tentative attempt at carrying the conversation. It isn't the smirk he inherited from
theirhis mother, though the wariness in his eyes is.] I don't think this is a conversation we want to have here. Face to face would be better once I'm off here, unless you've other things to do?no subject
She couldn't disagree with his suggestion, though part of her mind remembered her confrontation and began to plan for Worst Case Scenarios.
The tentative smile doesn't fall from her face, though the corners of her eyes tighten a little before they relax again, her expression open and a bit rueful.] I reckon I can make the time. Fit ya into my busy schedule an' all. Let me know when they Shuffle you out?
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Watch your back, Rogue. ['Be safe. I don't trust this place.' Kurt cuts the transmission after that, closing his eyes a moment after against the tears that threaten. She is so much like his sister.]
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Watch your back, Rogue.
She whispers:] Don't I always?
[She will be looking forward with some anxiousness to hearing from this other brother.]