Kurt Darkholme (
ecclesiophobic) wrote in
driftfleet2016-03-04 05:06 pm
Entry tags:
eins (video/action)
Who: Darkholme and whomsoever dares.
Broadcast: Fleet-wide
Action: Marsiva
When: March 4th
Broadcast (can also be an action option for anyone close enough to hear the racket):
[The communicator comes online in the middle of clattering to the floor, bouncing and skidding until it ends up wedged against something that props it at an odd angle. Most of what it shows is a bland view of the ceiling, though the audio of a heavily-accented German voice grumbling is clear as a bell.]
Goddammit, what part of let me d--what the? [There' s a loud implosion of air, with a similar bamf sound echoing further away. The voice mutters something, words indistinct but tone harsh. The clarity increases with the volume as the owner of the voice begins to swear emphatically, lapsing halfway through into truly inventive German, punctuated by the sounds of clattering and movement. Someone just realized his swords are missing.]
Action:
[Sometime after he's calmed down (and hopefully found the communicator/been given a heads-up on the situation, Kurt temporarily gives up on retrieving his swords and goes exploring his temporary home. Feeling vulnerable without his weapons and with a distinct lack of shadows to blend in to, he opts to scurry along the ceiling on fours in lieu of using the floor like a normal person. It also lets him inspect the ceiling for visible cameras, ventilation shafts, wiring, or anything to give him information about their captors' technology level.
Occasionally he stops near one of the huge windows, the view catching his attention even after he's given up on recognizing any of the stars. Kurt's been in space before, but never for long and always too busy fighting to get a good look at the sky. His own world is so polluted with the aftermath of two wars that the stars are hazy--and that's on the clear nights. It's not a good time to catch him on the floor, but it is a good one to catch his attention without interrupting anything.]
Broadcast: Fleet-wide
Action: Marsiva
When: March 4th
Broadcast (can also be an action option for anyone close enough to hear the racket):
[The communicator comes online in the middle of clattering to the floor, bouncing and skidding until it ends up wedged against something that props it at an odd angle. Most of what it shows is a bland view of the ceiling, though the audio of a heavily-accented German voice grumbling is clear as a bell.]
Goddammit, what part of let me d--what the? [There' s a loud implosion of air, with a similar bamf sound echoing further away. The voice mutters something, words indistinct but tone harsh. The clarity increases with the volume as the owner of the voice begins to swear emphatically, lapsing halfway through into truly inventive German, punctuated by the sounds of clattering and movement. Someone just realized his swords are missing.]
Action:
[Sometime after he's calmed down (and hopefully found the communicator/been given a heads-up on the situation, Kurt temporarily gives up on retrieving his swords and goes exploring his temporary home. Feeling vulnerable without his weapons and with a distinct lack of shadows to blend in to, he opts to scurry along the ceiling on fours in lieu of using the floor like a normal person. It also lets him inspect the ceiling for visible cameras, ventilation shafts, wiring, or anything to give him information about their captors' technology level.
Occasionally he stops near one of the huge windows, the view catching his attention even after he's given up on recognizing any of the stars. Kurt's been in space before, but never for long and always too busy fighting to get a good look at the sky. His own world is so polluted with the aftermath of two wars that the stars are hazy--and that's on the clear nights. It's not a good time to catch him on the floor, but it is a good one to catch his attention without interrupting anything.]

Video | Private
There's a way of making these communicators talk one-on-one, only you have to know the other person's frequency first.