Susan Pevensie (
gentlearcher) wrote in
driftfleet2016-03-25 11:00 pm
Entry tags:
.01 where have you gone my feather-light heart?
Who: Susan Pevensie
Broadcast: Video
Action: Marsiva
When: March 25th
Action/Accidental broadcast
[Susan wakes up, and that is the first thing that's wrong. She isn't supposed to be waking up; she's supposed to be stepping through space and time and returning to the place where she now knows she belongs. Her brothers and sister are supposed to have come with her, and that is the second thing which is wrong: a quick glance to either side of her under the strange light (the third thing which is wrong) shows that though there are other beds, she is quite alone. She quickly sits up, feet swinging to the floor with a swish of long skirts (a forth thing that is wrong), and glances around her. Her voice is tart, anger and irritation (something has gone very, very wrong) disguising a gnawing fear.] What is going on here?
Susan glances around for any clue, but this place is foreign; far more so than Narnia had been. The sterility reminds her of a hospital in better days, the days before the War, and there is a strange, canned smell to the air. There's strength in her step as she strides to the window, strength more than Susan from London and she realizes that the Narnian air hasn't left her completely, and it is a very good thing indeed as standing at the window she suddenly finds it very hard to breathe. Hesitating, she places a hand flat on the cool glass as she stares and stares into a night sky.
She is in a night sky. Impossible was a meaningless word, but it was still the first thing she thought. Since impossible was a meaningless word, and Susan was, at her heart, a very practical person, the first thing she did was turn away from the window. The second thing she did was take a deep breath, gaze darting everywhere for any sign of her family, any hint of a weapon (she'd left her bow back in Narnia, given her horn to Caspian - Caspian - and there was no hint anywhere of the sunshine which followed Lucy, the warmth that was Peter, or the perception that was Edmund, making a joyous raucous in such a sterile, sterile place. She would look for them anyway. Surely she wouldn't have been the one sent off on an adventure on her own. They had to be here.)
After finding someone on the ship to help her, the video purposefully flickers on. The camera is initially too close, and picks up part of a conversation--]
[Deliberate Video]
--like this? [A muffled answer, a shot of light, intent eyes, and then the camera pulls back to frame only Susan's face. She is doing what she can to not reveal the dress.]
I've been given to understand that this device communicates with those assembled here against their will. I am sure this is not an unusual request, but any further information about the nature of this place or how we all came to be here [Is it Magic? It doesn't feel like Magic.] would be greatly appreciated.
...and if anyone has heard of my brothers, Peter and Edmund, or my sister Lucy, I would appreciate you contacting me. [She adds, as if this was not a driving force behind her finding out how to make such a post in the first place.] Thank you.
Broadcast: Video
Action: Marsiva
When: March 25th
Action/Accidental broadcast
[Susan wakes up, and that is the first thing that's wrong. She isn't supposed to be waking up; she's supposed to be stepping through space and time and returning to the place where she now knows she belongs. Her brothers and sister are supposed to have come with her, and that is the second thing which is wrong: a quick glance to either side of her under the strange light (the third thing which is wrong) shows that though there are other beds, she is quite alone. She quickly sits up, feet swinging to the floor with a swish of long skirts (a forth thing that is wrong), and glances around her. Her voice is tart, anger and irritation (something has gone very, very wrong) disguising a gnawing fear.] What is going on here?
Susan glances around for any clue, but this place is foreign; far more so than Narnia had been. The sterility reminds her of a hospital in better days, the days before the War, and there is a strange, canned smell to the air. There's strength in her step as she strides to the window, strength more than Susan from London and she realizes that the Narnian air hasn't left her completely, and it is a very good thing indeed as standing at the window she suddenly finds it very hard to breathe. Hesitating, she places a hand flat on the cool glass as she stares and stares into a night sky.
She is in a night sky. Impossible was a meaningless word, but it was still the first thing she thought. Since impossible was a meaningless word, and Susan was, at her heart, a very practical person, the first thing she did was turn away from the window. The second thing she did was take a deep breath, gaze darting everywhere for any sign of her family, any hint of a weapon (she'd left her bow back in Narnia, given her horn to Caspian - Caspian - and there was no hint anywhere of the sunshine which followed Lucy, the warmth that was Peter, or the perception that was Edmund, making a joyous raucous in such a sterile, sterile place. She would look for them anyway. Surely she wouldn't have been the one sent off on an adventure on her own. They had to be here.)
After finding someone on the ship to help her, the video purposefully flickers on. The camera is initially too close, and picks up part of a conversation--]
[Deliberate Video]
--like this? [A muffled answer, a shot of light, intent eyes, and then the camera pulls back to frame only Susan's face. She is doing what she can to not reveal the dress.]
I've been given to understand that this device communicates with those assembled here against their will. I am sure this is not an unusual request, but any further information about the nature of this place or how we all came to be here [Is it Magic? It doesn't feel like Magic.] would be greatly appreciated.
...and if anyone has heard of my brothers, Peter and Edmund, or my sister Lucy, I would appreciate you contacting me. [She adds, as if this was not a driving force behind her finding out how to make such a post in the first place.] Thank you.

no subject
I suppose... we don't always have a choice about what people know about us and what they don't. Just - how we can respond to it when that happens.
no subject
Look, you've probably figured out where I'm going with this by now. But I promise I'll try not to be weird, okay?
no subject
I think... [A pause as she proceeds slowly.] I think it may not be too bad a thing to have someone who knows me in such a strange place. Or - a bit about me, at any rate.
[A small smile.]
no subject
I can understand that. But it's out of the way now, so we can just move on.
I'm sorry your family isn't here, though. I miss my sister so much.
no subject
[And it had always taken the four of them before.] What is your sister's name?
no subject
Primrose. Prim. She's younger than me by four years. I basically raised her, it seems.
no subject
[She glances out toward the window she hasn't approached again since the first time.] I've no doubt she'd think this a great adventure.
no subject
[ it's not a presumption based on knowledge. just the context of this conversation ]
no subject
[Susan only saw them burn.]
no subject
[ this is why a long time ago we used to be friends ]
no subject
And what do you see about being here?
no subject
no subject
So... you think of this place as a sort of - place of waiting.
[Susan does not like waiting.]
no subject
But I don't know if I'm right or anything.
no subject
I don't really like waiting when it is without purpose.
no subject
[ ... realizes she should probably... instill some sort of confidence... ]
We could always use the time to make ourselves better, I guess.
no subject
You sound very convincing.
[Don't get her wrong, she appreciates the attempt.]
no subject
Look, I never said I was a good motivational speaker. They try not to let me speak off-script at home.
I'm an archer, did I tell you that?
no subject
No, you didn't. [An awkward beat as the rush of battle rages in her memory, the twang of dozens of bows distinct even in the tumult.] Did you find a place to supply you with bow and arrows?
[She'd feel a lot better armed, honestly.]
no subject
no subject
no subject
no subject
[The word is understandable, but rings in a peculiar way in her mind.]
no subject
Augment.
[ taps the back of her neck ]
It's an implant. You should just know things you didn't know before.
no subject
- invasion, and all the rage and helplessness that accompanies that; fear
- when did they have time to do this? how long? it doesn't hurt at all...
- how is this possible?]
That's... disturbing.
[She does her best to discard the bits that are currently useless, but the fear and anger lingers.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)