Natasha Romanoff (
outstandingbalance) wrote in
driftfleet2016-06-26 04:53 pm
(no subject)
Who: Natasha Romanoff & You
Broadcast: Fleetwide
Action: Marsiva
When: 6/24
Video
[Transmission starts at the same moment the woman laying in fram shifts from unconsciousness to tense stillness—her eyes open, darting, and she goes tense, but otherwise there's no movement from her for the first four or five seconds. That seems to be how long it takes her to process that she's in an unfamiliar space with no memory of how she came to be lying there. Then one hand balls consciously into a fist. Her eyes flutter. Jaw tightens.
Natasha takes a deep breath and forces her body to relax muscle by muscle.
Seems like spies don't make for great entertainment when they first wake up. Not unless you find tension and veiled suspicious looks riveting. The first minute or two isn't much more than that. She wakes up. She sits up. She swings her legs over the edge of her cot and stretches her back, trying to flex the adrenaline out of her muscles.
She looks directly into the camera at one point, her expression flat, lips tightening in a frown. She taps the edge of the lens experimentally.]
You know, if you're gonna kidnap a girl you could at least buy her dinner first.
[Her voice is just a touch to defiant to be neutral as she speaks.
Then she hauls herself to her feet. The last thing caught on camera before the broadcast ends is a shot of her catsuited figure walking away.]
Broadcast: Fleetwide
Action: Marsiva
When: 6/24
Video
[Transmission starts at the same moment the woman laying in fram shifts from unconsciousness to tense stillness—her eyes open, darting, and she goes tense, but otherwise there's no movement from her for the first four or five seconds. That seems to be how long it takes her to process that she's in an unfamiliar space with no memory of how she came to be lying there. Then one hand balls consciously into a fist. Her eyes flutter. Jaw tightens.
Natasha takes a deep breath and forces her body to relax muscle by muscle.
Seems like spies don't make for great entertainment when they first wake up. Not unless you find tension and veiled suspicious looks riveting. The first minute or two isn't much more than that. She wakes up. She sits up. She swings her legs over the edge of her cot and stretches her back, trying to flex the adrenaline out of her muscles.
She looks directly into the camera at one point, her expression flat, lips tightening in a frown. She taps the edge of the lens experimentally.]
You know, if you're gonna kidnap a girl you could at least buy her dinner first.
[Her voice is just a touch to defiant to be neutral as she speaks.
Then she hauls herself to her feet. The last thing caught on camera before the broadcast ends is a shot of her catsuited figure walking away.]

no subject
[ he smiles a little. he wants to say, it's good to see you but the situation is less than favorable so he settles for ]
Doing ok?
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[She assumes that's every bit as unappetizing as it sounds. She shakes her head a little. Probably better not to pursue that right now. They have other priorities.]
I'm all in one piece. How much more can I ask for?
How about you? How long have you been here?
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[ a little smile and then it's all business. ]
Less than two months. They said I was here before but I can't remember my previous stay. I bet you heard that too, didn't you? they told me you used to be here.
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I might have broken a few hearts already.
[Sighing, arms folded across her chest.]
Hopefully I don't have to disappoint too many more people today.
no subject
[ he's safe. he smiles a little, wants to tell her, hey, could be worse, want me to tell you about the version of me that was also the winter soldier? but that can wait until they are alone ]
Those things happen all the time, turns out.
no subject
Yeah, I hear that. Doesn't make it a whole lot better.
[Huffing a sigh, Natasha glances off into the black thoughtfully.]
Could be worse though.
At least you owe me dinner.
no subject
[ he agrees. this place is confusing in that regard, it's a mixture of timelines and universes, changed histories and memories that some people have while others don't.
it's complicated. At least she does complicated much better than him, usually. ]
A good one, even. Once you're off the Marsiva. Talked to the others?
no subject
[One advantage to being the type of person who reinvents herself and makes things up: Natasha was salty when she came to, and she's still not happy about it, but the fact she's turning the situation over in her head, figuring out what she needs to do next, is visible in her posture and on her face.
Give her another hour or two, and she'll probably have her composure back in place entirely, give or take a few cracks.]
A few of them. You, Tony, Vision.
no subject
[ he can see the wheels turning there. this is quite the scenario that they all found himself in. but natasha might yet play the atroma better than the atroma plays her, that much steve is sure of ]
Did they tell you about Barton?
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[ it's a long story, Nat but you might like the details of that one. ]
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[Her eyebrows go up, the question clearly implicit.]
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[ /punk ]
no subject