Natasha Romanoff (
outstandingbalance) wrote in
driftfleet2016-06-26 04:53 pm
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Who: Natasha Romanoff & You
Broadcast: Fleetwide
Action: Marsiva
When: 6/24
Video
[Transmission starts at the same moment the woman laying in fram shifts from unconsciousness to tense stillness—her eyes open, darting, and she goes tense, but otherwise there's no movement from her for the first four or five seconds. That seems to be how long it takes her to process that she's in an unfamiliar space with no memory of how she came to be lying there. Then one hand balls consciously into a fist. Her eyes flutter. Jaw tightens.
Natasha takes a deep breath and forces her body to relax muscle by muscle.
Seems like spies don't make for great entertainment when they first wake up. Not unless you find tension and veiled suspicious looks riveting. The first minute or two isn't much more than that. She wakes up. She sits up. She swings her legs over the edge of her cot and stretches her back, trying to flex the adrenaline out of her muscles.
She looks directly into the camera at one point, her expression flat, lips tightening in a frown. She taps the edge of the lens experimentally.]
You know, if you're gonna kidnap a girl you could at least buy her dinner first.
[Her voice is just a touch to defiant to be neutral as she speaks.
Then she hauls herself to her feet. The last thing caught on camera before the broadcast ends is a shot of her catsuited figure walking away.]
Broadcast: Fleetwide
Action: Marsiva
When: 6/24
Video
[Transmission starts at the same moment the woman laying in fram shifts from unconsciousness to tense stillness—her eyes open, darting, and she goes tense, but otherwise there's no movement from her for the first four or five seconds. That seems to be how long it takes her to process that she's in an unfamiliar space with no memory of how she came to be lying there. Then one hand balls consciously into a fist. Her eyes flutter. Jaw tightens.
Natasha takes a deep breath and forces her body to relax muscle by muscle.
Seems like spies don't make for great entertainment when they first wake up. Not unless you find tension and veiled suspicious looks riveting. The first minute or two isn't much more than that. She wakes up. She sits up. She swings her legs over the edge of her cot and stretches her back, trying to flex the adrenaline out of her muscles.
She looks directly into the camera at one point, her expression flat, lips tightening in a frown. She taps the edge of the lens experimentally.]
You know, if you're gonna kidnap a girl you could at least buy her dinner first.
[Her voice is just a touch to defiant to be neutral as she speaks.
Then she hauls herself to her feet. The last thing caught on camera before the broadcast ends is a shot of her catsuited figure walking away.]

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By now, someone far clumsier must have told you about how you've been here before. I don't have to keep pretending otherwise, do I?
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[There's a tight humor in Natasha's voice as she speaks. It's come up, and at the moment the only thing she can really do for it is laugh bitterly.]
So I take it you knew her when she was here.
[She can't quite bring herself to refer to the earlier Natasha in first person.]
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[If they were, then it would be more surprising if they hadn't met. That wasn't exactly the same though.]
Were you close?
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But we understood each other. It was enough.
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Professional barriers, hm. Yeah, I can see that.
There are worse things to have than an understanding, especially somewhere like this.
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I'm sure Steve will be around before long too.
[Since all of them are here.]
Looks like we're very popular.
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[ one name remains conspicuously absent. ]
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Vision mentioned that Loki was here, and that he seems to be behaving himself.
[Which implies that Vision may have also mentioned Barnes, and that he hadn't been.]
Said Loki didn't seem to like him much.
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If all he's being is mouthy, then we're pretty lucky. But he's probably smart enough to know starting anything openly would end badly.
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[ it's cowardly, really. ]
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Or he might just be bored. I get the impression we're mostly entertaining ourselves around here.
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[She gives a half shrug, arms wrapped around her body.]
But if he's not acting out, there's enough going on without borrowing trouble.
Or playing into his provocations.
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Still, she's not going to deny it. And she's not going to miss that it's where Peggy went first.]
It's come up.
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