sᴛᴇᴠᴇ ʀᴏɢᴇʀs ✮ ᴄᴀᴘᴛᴀɪɴ ᴀᴍᴇʀɪᴄᴀ (
uprightness) wrote in
driftfleet2017-01-01 06:41 pm
ᴛʜᴇʏ'ʟʟ ɴᴀᴍᴇ ᴀ ᴄɪᴛʏ ᴀғᴛᴇʀ ᴜs ( ᴏᴘᴇɴ )
Who: steve rogers circa civil war + you, yes you
Broadcast: nope
Action: various;
When: throughout january
[ new year, new memories and what begins as one monstrous headache.
it takes a couple of hours to sort through everything that's new, to make sense of a kaleidoscope of memories, images and sounds. at first, he starts writing it all down, lagos, the sokovia accords, the UN, black panther.
Only the dry details and nothing of what starts to weight down on his shoulders, faces and names that inspire a heavy, intimate, terrible sort of pain.
And so an avoidance of a sort begins that lasts through the two days the new year. Hours upon hours spend on the library aboard the Iskaulit, reading books and making nothing of them. It's an odd sight, Steve Rogers in one of the corners of the room, staring at a book and randomly picking up a notepad and writing something down ( another detail that comes up, scott lang or spiderman ) and then staring at the notepad only to go back and stare at the book.
He might also be found at odd hours at the gym; evidently, taking out his burdens on a punching bag, seemingly lost in thought even as takes out what seems to be a world of trouble on the thing.
It will take these two days of isolation before those of the fleet start seeing steve rogers off the Iskaulit. He'll make a return to the Starkstruck, though this return, too, will be a reclusive matter one will have to actively seek him to find him in the weaponry or otherwise, in his room. ]
Broadcast: nope
Action: various;
When: throughout january
[ new year, new memories and what begins as one monstrous headache.
it takes a couple of hours to sort through everything that's new, to make sense of a kaleidoscope of memories, images and sounds. at first, he starts writing it all down, lagos, the sokovia accords, the UN, black panther.
Only the dry details and nothing of what starts to weight down on his shoulders, faces and names that inspire a heavy, intimate, terrible sort of pain.
And so an avoidance of a sort begins that lasts through the two days the new year. Hours upon hours spend on the library aboard the Iskaulit, reading books and making nothing of them. It's an odd sight, Steve Rogers in one of the corners of the room, staring at a book and randomly picking up a notepad and writing something down ( another detail that comes up, scott lang or spiderman ) and then staring at the notepad only to go back and stare at the book.
He might also be found at odd hours at the gym; evidently, taking out his burdens on a punching bag, seemingly lost in thought even as takes out what seems to be a world of trouble on the thing.
It will take these two days of isolation before those of the fleet start seeing steve rogers off the Iskaulit. He'll make a return to the Starkstruck, though this return, too, will be a reclusive matter one will have to actively seek him to find him in the weaponry or otherwise, in his room. ]

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That's an answer, too.
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[ they made their choices. her point, as she drives it home, isn't all that different to the one she made in europe years ago. back then, they'd been discussing bucky's death. and she'd stressed to him the importance of letting his friend maintain the dignity of his choice. even in death.
not long afterwards, she'd been forced to do much the same with steve's. ]
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[ he admits. he doesn't understand it some days but that, at least, is clear, even now. ]
No, I don't think they did.
[ he sees the parallels and smiles. ]
Allow them the dignity of that choice. I know.
[ there isn't a single lesson she taught him that he forgot. ]
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[ his choice to sacrifice himself and save god knows how many people. ]
But those days are few and far between.
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[ and he wanted, more than anything, to tell him to stay, to work it out with him together. still, he listened and he took a step back and bid him a temporary goodbye and he thought of the last time he had to honor his choices, he thought of peggy who he helped lay to rest only days before. ]
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[ and in a way, it made the whole thing a bit easier. ]
He's safe; that matters, too.
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[ because all he mentioned was that they were jailed. that they'd put a collar on wanda. she can't imagine he's keen to sit tight and wait on the course of justice, funnily enough. ]
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[ well. he shifts, clears his throat. ]
They're uh - fine. They'll have to stay below the radar for a while.
[ neutrally: ]
there was a break-in, where they were being held.
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[ you did well to free them. ]
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[ well, he has to accept the compliment now, having not openly saying it was him though they understand each other well. Still, he can't very well dismiss compliments on someone's behalf. it's clever, the mixture of two manners of support, both gentle and strict; he may still feel exhausted and heavyhearted by it all but here and now, there is an undeniable measure of comfort.
it's a rare occurrence, for him to simply soak it up and not maneuver back to his more professional duties but he had lost and found her again all in the same week and this, he and her pressed together like this, feels like reclaiming a part of all that came before the influx of memories. what might have once been an indulgence is now a necessity and still, another moment passes and he remembers that he is leaning most of his weight against her and ask, ]
am I too heavy?
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No. [ her answer is short -- but affectionate. ] Not at all. [ then, after a pause, she asks, ] Are you comfortable?
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[ the question is light and easy, a contrast to all that came before it. there are several realizations that slip into place to merit the change; the time he had with her at home has run out, left him only with a chance to say goodbye. this, here, becomes impossibly more precious. he turns his head, presses a smile and a small kiss just above her collarbone. ]
a bit too comfortable.
[ careful lest he'll get used to this. ]
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[ his words are muffled by the fabric of her shirt. he pokes her side with a finger, bites back on a chuckle. ]
You might change your mind in an hour or two.
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in the meantime, she plays dumb: ] What's happening in an hour or two?
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[ it's easy to sort away through thoughts and feelings like this. he pays careful attention to the tempo of her heartbeats and breaths, moves to rest his chin above hes collarbone. he watches her with a growing comfort, a new-found peace of mind. everything else will be dealt with in time; for now, he chases each heartbeat and breath and the easy comfort of simply being in love with her. ]
'm pretty sure we'll be exactly where we are.
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You could try and get a bit of sleep. [ peggy's suggestion is carefully made. ] If you like.
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It'll come on its own.
[ it's far too warm and far too comfortable not to. ]
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she aims to distract him, still: ] Any new and startling developments in the realm of music -- back home? Have they finally resorted to recording traffic noises and passing it off as melody?
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[ he wouldn't put it past the 21st century, honestly. ]
But I wouldn't know of it. Most of the music I listen to would be familiar to both of us.
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[ to limit himself. to look backwards, not forwards. she's one to talk, of course, with all her griping about modernity dished out with nearly every sizable social function where music is played. ]
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[ though often times, he finds that people know so little about the time they're trying to revive. ]
People are doing the lindy hop again.
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The lindy, though. That's familiar.
[ to her, at least. she's definitely danced it before. ]
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Instead, he moves upwards until their noses bump. ]
I'm sorry.
[ there's something else to say. She's not wrong about the way he escapes the world though now the nature of that escape has changed, again. He should say something about that, about lindy hop but what he manages is choked laughter and her name.]
Peggy -
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