Peggy Carter (
mucked) wrote in
driftfleet2017-02-04 09:55 pm
Entry tags:
ship mingle: february is for starstruckers.
Who: Crew of the Starstruck
Broadcast: N/A
Action: Y, aboard the ship
When: All month
[ welcome to february. y'all know the drill. ]
Broadcast: N/A
Action: Y, aboard the ship
When: All month
[ welcome to february. y'all know the drill. ]

no subject
things begin slowly -- with peggy cognizant of a dry hand, and therefore keen to only tease for the time being. a stroke or two; a variable grip; a tracing of a fingertip from tip to stem. the angle is a bit of a challenge with the skivvies in the way, but she's nothing if not determined to offer steve at least a mutual glimpse at what happy madness he'd been inspiring just beneath her skin ever since he'd started charting his mental map of her body. ]
no subject
there's no point in trying to wrestle control back, not when she touches him like she does and he's nearly helpless before her. it's the combination of things, the soft pressure of her fingers and his fingers that still damp from her. he hisses and drops his hand from her hair to her knee. she doesn't work him up as much as she riles him up. he hooks his fingers behind her knee and tugs her closer to his side. ]
no subject
gentle; consistent; gradual, too, despite the mounting impatience between them. there will be time and opportunity for more spirited affection. for now, she tries (tries) to keep things easy. low stakes. she trusts that he'll ask for what he wants.
peggy's breath hasn't slowed since the shift in attention. if anything, a steady grip on him (hard; aroused; memorable) only further ratchets her own investment in the moment. reading files and observing drills and even living next to him on a ship has never granted her this kind of trusting proximity before now. because it's him (because it's her) she knows it's something special.
something with the right partner. ]
no subject
it's all slow and easy, almost controlled and steve watches her and moves, presses up against her and tugs on her knee, dragging her against him. ]
no subject
peggy swallows hard. she lets her forehead knock against his -- noses touching. she's caught between a smile and a sigh. ] Tell me, [ she prompts him in a breathless tone, ] what you're thinking.
[ what you're craving. ]
no subject
I think,
[ but no, there's no helping it. she's warm and pressed so close against him and he's lost for another moment, sliding his hand from her knee to her thigh and back. ]
I think, I've never been happier about enhanced senses.
[ the whole world was different after the serum but this here is a sensory overload. ]
I can smell you.
[ not her perfume or her soap, just her, from where she slides against his thigh. ]
no subject
(and it says a little too much about her that she finds a fresh source of arousal in that realization.)
peggy turns her head and kisses the slope of his neck: just as slowly and just as teasingly as the motions down below, matching the suction of her mouth to the gentle pulse of her grip. once again, she thumbs the tip. when she leans back -- braced against his palm -- it's only to taste the edge of her finger. ]
Perhaps not the most noble application of the serum's effects. [ but she smiles and smiles and smiles, lips curving around the side of her thumb. ]
no subject
[ he admits, and all too happily. perhaps she says and he would laugh of he wasn't thrown by the combination of it all, the proper tones and her smile, the touch of lips to her thumb. ]
Feels noble right about now.
[ his breath hitches and he leans into her touch, anchoring her against him at the same time, hands griping at her knees, supporting and demanding all at the same time. There's a tremor in the base of his spine that makes him jolt towards her. ]
no subject
[ despite a hitch in her own breath, she's determined to take her time. to play her fingertips across the tender flesh at the very base of his manhood before tracing them once again up the length; grasping at girth; learning his twitches and sighs with nearly the same level of loving scrutiny that he'd displayed.
she splays her opposite hand against his chest -- feeling for his heartbeat. ]
no subject
[ teasing and playfulness turn into raw honest. his heart races, just beneath her fingertips. there won't be any getting used to this, he thinks, it'll never become predictable, her touch, the things it ignites in him, the fact that it's her is enough to make him incoherent. he nearly bites his tongue when her fingers move, down, then up. steve had loved her since he saw her punch a sorry sod who talked back to her and still, he was always late, late to tell her, late to their dance, late, here, to tell her.
and then there's now. it's darkening outside and the air inside feels too warm, too humid. steve moves a hand down her neck and over her breast. ]
Not even close.
no subject
electricity crackles under her skin -- mere steps behind his fingertips. again, she kisses him. and again, she reminds herself that there's no rush in this. that given the limitations already put on their 'progress' tonight, all they've got is hours to touch and explore and (best of all) learn.
doesn't mean, of course, that the ante can't be upped. peggy replaces her wandering fingertips with the full grip of her hand. and she doesn't ask him any questions; doesn't feel quite so cruel as to make him speak just now. instead, she leans in -- against him -- and whispers a near-silent i love you. ]
no subject
And then she presses close, her palm instead of her fingers and steve swears, a choked shit, peggy pressed against her lips before he kisses her again, one hand tangled in her hair, the other one covering her breast, thumbing at her nipple. ]
Christ, I love you.
no subject
she silences that voice by busying herself with the barrier of his boxers -- pawing, pulling, blindly tugging them down his thighs to free him and fix the inefficient angle at which her grip can find him. peggy presses forward -- easing him, once again, onto his back. and with a kiss. ]
no subject
He moves a hand to her back, keeps her pressed against him. ]
Comfortable?
[ he meets her gaze, smiling. this evening, he takes to listening and obeying. in the future, it won't be that easy but then, he has a feeling she knows as much. ]
no subject
but for now? she keeps her place as the composer of the evening. leveraging her own patience against his lack of it, plying him to fall prey to his instincts and his urges. her kisses dip down to his chest -- teasing a future destination while she lavishes attention at the hollow of his throat. ]
Comfortable? [ there's a gentle gravel to her voice. ] Not the word I'd use.
no subject
[ he dares ask but the question itself is fleeting, he half fears her answer would only add fuel to an already existing fire and then where would they be? there's a slight arch in his spine, a quiet attempt to close non-existence gaps between them.
one to one ]
no subject
[ all sorts of words, it seems, that dance around the idea of arousal. but she doesn't dare say it. peggy knows she doesn't need to -- it's not a question he would have asked if he didn't have half-a-notion about what the answer might be. either way, the electricity bubbling beneath her skin is hardly comfortable. comforting, perhaps. but not comfortable. ]
no subject
[ it's a quiet, keen agreement. There's so much skin beneath his fingertips, he feels his way from her hips, up her sides and over her arms, squirming beneath her a little. ]
That was - the wrong word, absolutely. Peggy.
[ there is a request there somewhere but if pressed, he might not be able to focus on just one. There seem to be endless things he wants from and with her. ]
no subject
peggy shimmies backwards and grips him by his sides. first her chin grazes his navel, then her tongue teases an edge, then the tip of her nose passes it by. she's sinking lower, lower, lower --
but she freezes at the slope of his hip bone. as though waiting for a plea or permission or both. ]
no subject
she's waiting for him to say something, he knows that much. getting the words out proves to be a bit more of a challenge. ]
You know, you're killing me.
[ it's as honest as he manages. ]
no subject
[ killing him, that is. at least not so literally. it's true that the french have a hauntingly poetic way of calling what comes later the little death but his strangled honesty is all she needs to direct her attentions lower.
she breathes in: sweat and sunshine and musk. peggy braces her palm against the length of him and starts with only a sample -- a light, learning lick. a warm tongue on warm skin. ]