Voices from Heaven (
thespaceopera) wrote in
driftfleet2017-06-18 01:26 am
bye bye love - bye bye sweet caress - hello emptiness...
[It’s been nice and peaceful for a few days, hasn’t it? Everyone in their little cages with their creature comforts, learning all about each other through the strange rooms that have opened up at night… It’s been a wonderful experience, wouldn’t you agree? For some, that blood-curdling scream from the first day has not been forgotten.
A few days into calibrations, the main screen that has been conspicuously silent (aside from passenger use) flickers to life. Anything already playing on the screen is overwritten by a video feed of plain metallic walls not unlike those housing the Passengers. It’s difficult to tell what is going on offscreen. Shadows are uncertain, dancing everywhere; nothing can be gleaned from the shapes no matter how much they are analyzed.
The audio, however, is loud and clear.]
—can’t do this to us, [a woman pleads, her usual saccharine tone absolutely dripping with fear. Some may recognize the voice as belonging to Diamond.] You can’t! We followed orders exactly. It was in the terms! I don’t underst… oh no. No, no, please no don’t do this no no NO NO NO!
[Her voice increases in pitch and tremor until it’s drowned out in a garbled shriek of pain. The shadows dancing on the wall grow frantic and violent. The show is accompanied by sounds of heavy things slamming and the unmistakable whirring of a drill.]
I DON’T WANT TO DIE!! NO NO NO NO NO N—
[The woman’s shrieking cuts off immediately. In the newfound silence, something else drags itself weakly across the floor, getting closer and closer to the camera. SLAM. Until that stops, too.
A man’s voice comes through this time, thready and weak like a dying heartbeat. It's Beau, though he hasn't been heard by Passengers for quite some time.]
A-and now… you come for me. [The speaker makes a choked sound like a laugh or a sob.] All we ever did... was try to... make you happy.
[The whir of the drill begins again, but the feed ends.]
A few days into calibrations, the main screen that has been conspicuously silent (aside from passenger use) flickers to life. Anything already playing on the screen is overwritten by a video feed of plain metallic walls not unlike those housing the Passengers. It’s difficult to tell what is going on offscreen. Shadows are uncertain, dancing everywhere; nothing can be gleaned from the shapes no matter how much they are analyzed.
The audio, however, is loud and clear.]
—can’t do this to us, [a woman pleads, her usual saccharine tone absolutely dripping with fear. Some may recognize the voice as belonging to Diamond.] You can’t! We followed orders exactly. It was in the terms! I don’t underst… oh no. No, no, please no don’t do this no no NO NO NO!
[Her voice increases in pitch and tremor until it’s drowned out in a garbled shriek of pain. The shadows dancing on the wall grow frantic and violent. The show is accompanied by sounds of heavy things slamming and the unmistakable whirring of a drill.]
I DON’T WANT TO DIE!! NO NO NO NO NO N—
[The woman’s shrieking cuts off immediately. In the newfound silence, something else drags itself weakly across the floor, getting closer and closer to the camera. SLAM. Until that stops, too.
A man’s voice comes through this time, thready and weak like a dying heartbeat. It's Beau, though he hasn't been heard by Passengers for quite some time.]
A-and now… you come for me. [The speaker makes a choked sound like a laugh or a sob.] All we ever did... was try to... make you happy.
[The whir of the drill begins again, but the feed ends.]

no subject
Mostly confusion.]
The fuck was that about?
no subject
no subject
They were the one's handing out the prizes?
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
[He hadn't been around that long. Couldn't really weigh in on it more than he had.]
You know what part of the ship that happened in?
[He moved in to tap his knuckle against the screen.]
Think I could trace it?
no subject
no subject
If they want us to see this, they might want us to find it, too. You know, as proof it were real and not staged.
no subject
She mentioned following orders exactly. I wonder if that was in general or something specific and recent.
no subject
no subject
I guess we should assume it does mean something. Any luck with the trace?
no subject
Nah, the signal just... disappears at a point. It shouldn't do that but it-
[He cut himself off and squinted, then checked something. The straightened up and looked around as if squinting at the walls would tell him something.]
no subject
[She watches him. It almost reminds her of Logan at work but with less sniffing, but that's Logan.] On to something?