Peggy Carter (
mucked) wrote in
driftfleet2017-08-03 12:53 am
Entry tags:
open » audio & text & action
Who: Peggy Carter and YOU
Broadcast: Audio + Text
Action: Aboard the Starstruck.
When: Evening
[ it's been a long day. long week. long bloody month. and tonight, in the rebuilt space of a bedroom now properly shared, peggy carter is reading a book. not just any book, really. but that's a story for another time. for now, she's prepared to proceed publicly as though nothing is amiss.
in the handful of hours before bed, she takes to the network with a brief puzzle. ]
[ and attached to the text is an audio messsage. ]
I know it's been a little while since the last one -- and some of you lot who most enjoyed them have gone and left. So we'll ease back into it with something simple. Simple, but no less fundamental. Solving it is all well and good but, as always, there are bragging rights up for grabs for anyone who names the source. Fair warning -- English is the native tongue.
And while I've got your attention, I suppose I ought to do my due diligence [ however reluctantly ] and ask whether anyone else has purchased the upgrade which merges two rooms together. It may be worthwhile to swap notes on how those changes came into effect.
[ and that's that. although she'll be awake for a little while yet -- answering messages and putting on a brave face. truth is, things have gone pear-shaped and she's only just realizing how much recovery yet required. those aboard or visiting the starstruck can find her at her desk, hatch left open, in her and steve's newly merged room. ]
( ooc: and because not everyone has the out-of-character time or inclination for codebreaking, here is the quotation peggy's posted using a caesar shift. )
Broadcast: Audio + Text
Action: Aboard the Starstruck.
When: Evening
[ it's been a long day. long week. long bloody month. and tonight, in the rebuilt space of a bedroom now properly shared, peggy carter is reading a book. not just any book, really. but that's a story for another time. for now, she's prepared to proceed publicly as though nothing is amiss.
in the handful of hours before bed, she takes to the network with a brief puzzle. ]
VHOILVKQHVV PXVW DOZDBV EH IRUJLYHQ, BRX NQRZ, EHFDXVH WKHUH LV QR KRSH RI D FXUH
[ and attached to the text is an audio messsage. ]
I know it's been a little while since the last one -- and some of you lot who most enjoyed them have gone and left. So we'll ease back into it with something simple. Simple, but no less fundamental. Solving it is all well and good but, as always, there are bragging rights up for grabs for anyone who names the source. Fair warning -- English is the native tongue.
And while I've got your attention, I suppose I ought to do my due diligence [ however reluctantly ] and ask whether anyone else has purchased the upgrade which merges two rooms together. It may be worthwhile to swap notes on how those changes came into effect.
[ and that's that. although she'll be awake for a little while yet -- answering messages and putting on a brave face. truth is, things have gone pear-shaped and she's only just realizing how much recovery yet required. those aboard or visiting the starstruck can find her at her desk, hatch left open, in her and steve's newly merged room. ]
( ooc: and because not everyone has the out-of-character time or inclination for codebreaking, here is the quotation peggy's posted using a caesar shift. )

no subject
Alright, captain. It could use some stitches.
[He seems rather uncaring if he scars. Shocking.]
no subject
-- May I?
[ stitch him up. she's certain of her betrayal, yes, and she understand that it might have cost her the right to come within his personal space like that. before their spat, she wouldn't have asked. and even now, it's less about the stitches and more about her curiosity. how far has she fallen?
aizawa's request settles heavy with guilt in her stomach. peggy's asking about max's head wound, but she's thinking about his leg. ]
no subject
... Mm. ['Sure', it means. 'Alright'. Not to be confused with 'mmmm', which is a thoughtful silence, one that translates to 'I need to think on this, I'm not sure.' It's the little things, you know?] Trust you not to kill me.
[So casually spoken, a ridiculous comment a normal person would never entertain with some level of seriousness. But it's true. Max's trusts are hard earned and difficult to understand. He spends an unfortunate amount of his time judging the likelihood of danger at any given moment. His mind walks circles around it. Will this person turn on me? Will this person trick me? Are they armed? What methods would they resort to? How likely are they to turn their back in emergency? What do I have that they may try and steal away?
But. When you get passed that, it's easier. Even with the terribly unpleasant spat they'd had, he seems more capable of looking passed it than perhaps expected. Even with matters of the heart.]
no subject
it's crooked and tampered and quiet but it is undoubtedly a smile. she smiles it before he even manages to speak. his mm, which she reads as fluently as anything else, is what makes the corners of her mouth lift. ]
I should hope so. [ ... ] My bedside manner might leave a great deal to be desired, but I'm fairly certain I can stitch a cut without killing a man.
[ but first? tea. ]
no subject
Don't doubt it. Just don't think you'd turn on me like that.
90% sure. Maybe 95%. Still trying to work through every scenario.
[It's said with casual gruffness, but it's serious enough.]
no subject
[ peggy drains about half of what remains in her mug. it's still hot, yes, but she must have some sort of asbestos tongue. ]
I do hope to hit one hundred. One of these days.
[ she adds. quiet -- almost thoughtful. ]
no subject
[He glances over at her, tapping a finger on the table. Drinking his tea.]
Not because of anything you do. I just... ah... can't.
[His brain doesn't let him, not like it should. He ignores the little voice, of course, but he also goes into situations putting his trust in Furiosa, in Peggy, in so few others... and thinking, at some point, this is the moment they turn their backs. There will always be that moment, that preparation for something bad to befall him, that sharp pang, an imagination running wild. Some days, he stands cleaning a glass and hears Peggy's high heels, and he imagines her putting her pistol to the back of his head and pulling the trigger. Splat.
Moments like those, he always keeps his back to the sink.
But it's not her. It's never been their faults, not yet.]
no subject
and to that end: ]
Won't stop me from aiming for it.
no subject
Really, part of it is also because he can't trust himself. He feels like he can't, anyway, never could after -- after what happened all those years ago.]
Just don't want to get your hopes up.
[He doesn't get too hopeful, himself. Over anything whatsoever. It's a good way to live, as far as he's concerned.]
no subject
[ a lift of her eyebrows. peggy will weather it all, yes, with cynicism and guff. but that won't stop her from having faith. ]
no subject
... There's a first time for anything.
[But that's obviously his only defense.]
no subject
no subject
He motions to his forehead. Are you gonna keep him waiting, Captain Carter?]
no subject
Here? Or shall we retire somewhere a little more private? [ ... ] You'd been using your quarters more and more before you absconded for a while.
no subject
... Have I?
[He looks unsure, considerate.]
Up to you, I guess.
no subject
no subject
He doesn't complain about something that has hurt for two decades. That's ridiculous.]
Makes me want to leave used bandaids where he cooks.
no subject
[ but it does raise the question, doesn't it? ]
Has something happened to make you so keen to frustrate our cook?
[ she turns off the tap and wipes her hands dry on a towel. ]
no subject
[Max says it so casually. Really, he's not about to go out of his way to annoy Rip, but it just seems like it'd be a funny way to pass the time if he'd ever had the want or energy. Poor, poor Rip Hunter.]
no subject
[ peggy suspects the man mightn't be such an easy target but arguing so would risk inadvertently encouraging max. so, instead, she breaks out her best disappointed schoolmarm voice and holds up a finger in pre-dismay.
she says nothing about how she'd run the cook off for a few days back on the marsiva. nor does she ask whether max thinks she's an easy target. there's some ammunition that's not worth giving. ]
Come on, then. Your room.
no subject
[He grumbles, following her.
Huff.]
no subject
[ and because peggy likes to keep useful people close aboard the starstruck, but that's a whole other discussion which she's not prepared to have at this moment. ]
no subject
It all tasted fine to me.
no subject
no subject
[#unfazed!!!]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)