Katie McCoy (
hollystrike) wrote in
driftfleet2018-04-06 05:26 pm
Entry tags:
Tha sin mar bhàs.
Who: Katie and you!
Broadcast: Yes!
Action: Planetside
When: Now-ish
[Amusement Park]
[So this is where she goes when she wants time to think, apparently. The bunker is a place she won't enter; between the heavy aftermath of a mass death and the understandably stricken reactions of its visitors, the atmosphere is far too toxic. But it doesn't mean she isn't grieving. The deaths could not be helped and are god knows how far in the past, but the fact that these people have been forgotten - not acknowledged even by this automated town, let alone the rest of space - is something that sits very poorly. She can't even change anything about the town to reflect its population's final days.
She's walking the rollercoaster tracks, very high up, thinking over the issue. Don't ask how she got up that high. And don't worry if you should be using the rollercoaster at the time; she can avoid you. Might give you a bit of a scare, though, sorry.
Eventually, she puts a call through to Sam.]
[Outside of town]
[As far as she can go before she suspects (or hopes) she's outside the range of the city's replication science so her work isn't scrubbed. She's not too far from the bunker; it would be pointless if she were too far away from it.
She finds a rock face smooth enough, and between a thick blade and Kirito's lightsaber she carves a memorial. Maybe nobody will ever see it, but if any other visitors come to this place, they should know what happened. It's worth the extra headache.]
[And Broadcast]
I've decided to quit making dreamcatchers and move on to voodoo dolls instead. It's more fun. So if you'd like to take one before I end up throwing them all out, feel free.
[Just so you know. Totally honest, as usual. Less cheerful than normal.
If anyone wants her she'll be curled up in her office with Licorice on her lap. She's so tired of these planets.]
Broadcast: Yes!
Action: Planetside
When: Now-ish
[Amusement Park]
[So this is where she goes when she wants time to think, apparently. The bunker is a place she won't enter; between the heavy aftermath of a mass death and the understandably stricken reactions of its visitors, the atmosphere is far too toxic. But it doesn't mean she isn't grieving. The deaths could not be helped and are god knows how far in the past, but the fact that these people have been forgotten - not acknowledged even by this automated town, let alone the rest of space - is something that sits very poorly. She can't even change anything about the town to reflect its population's final days.
She's walking the rollercoaster tracks, very high up, thinking over the issue. Don't ask how she got up that high. And don't worry if you should be using the rollercoaster at the time; she can avoid you. Might give you a bit of a scare, though, sorry.
Eventually, she puts a call through to Sam.]
[Outside of town]
[As far as she can go before she suspects (or hopes) she's outside the range of the city's replication science so her work isn't scrubbed. She's not too far from the bunker; it would be pointless if she were too far away from it.
She finds a rock face smooth enough, and between a thick blade and Kirito's lightsaber she carves a memorial. Maybe nobody will ever see it, but if any other visitors come to this place, they should know what happened. It's worth the extra headache.]
[And Broadcast]
I've decided to quit making dreamcatchers and move on to voodoo dolls instead. It's more fun. So if you'd like to take one before I end up throwing them all out, feel free.
[Just so you know. Totally honest, as usual. Less cheerful than normal.
If anyone wants her she'll be curled up in her office with Licorice on her lap. She's so tired of these planets.]

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[That's... straightforwardly opposite.]
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But then he thinks back to the times he'd seen his reflection; not often, not until he left Elysia. He could see his face in water of course, but mirrors had been one of those things that seraphim hadn't thought about because what would be the point, if they couldn't seem themselves in it?
The first time Sorey had seen his face in an actual mirror, he'd been shocked. That's what I look like, he'd thought, turning this way and that. The first real, striking, crystal-clear look at his face in seventeen years.
In a novel, he'd have had an epiphany. He'd have realized something of himself, but in real life...he hadn't felt anything at all. Fixed his flipped-around earring and moved on.]
It's not really the mirror though, is it? [Sorey muses aloud, winding yarn on his dreamcatcher absently.] It's your own eyes. What you see through your own eyes, only you can describe and understand. Even if you're looking at the same thing as everyone else.
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...I don't know, [he settles on finally, half-wound craft project resting in his lap as he chews on his bottom lip.] I want to say no, but at the same time I can't live a life taking what other people say they see for granted, without ever seeing it myself. In the end, you have to make your own decisions, and find the answers to your questions.
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Has anyone ever told you you're wiser than a lot of boys your age?
[Katie you're like three years older than him tops]
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[Straight-faced.]
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[From one artist to another.]
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I suppose study is an important part of not dying sometimes.
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Besides, you should see my sketchbook sometimes. It's just full of frivolous things.
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Here. I think this is the one rated G.
[She hands it over. Inside you can find several Fleet passenger sketches, both realistic-ish and caricatured to hell, various hopscotch grids, flowers, butterflies, random patterns, landscape art, half done picture of Diamond and Beau, and shoved in the middle loosely are two sketches of a devil's trap and and an anti-possession sigil, SPN style.]
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Takes the book and starts flipping through it, spending a lot of time lingering over the portraits of passengers and Diamond and Beau.]
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