The Vision (
unbearablynaive) wrote in
driftfleet2018-09-04 03:47 pm
Entry tags:
video;
Who: The Vision
Broadcast: Video from the planet's surface
Action: Locked to Wanda
When: Now
[This video opens up with a view of a sea of dunes stretching out as far as the eye can see, lit only by the stars above. Some of those stars are moving about in a lively fashion - space traffic, though even the large stations are no more than points of light from this distance. Then the camera pans over to view some shadowy but dramatic rock formations - sandstone or a similar sedimentary rock, though it's hard to tell without more light. The voice narrating the scene has a gentle tone and a British accent, almost like a nature documentary. It's only very slightly muffled by the helmet he's wearing.]
A desert planet is hardly unusual. It's the most common type of rocky exoplanet according to the science in my time. Yet here we see several signs that this was not - and need not always be - the case. Look at the gentle curves in the rocks and the way the sand forms dunes. These are signs of more wind and water than the planet has. Did it have a stronger gravitational pull when it was younger? Did its atmosphere bleed off over time? Are these problems that could be fixed, with the right resources and engineering?
And would that effort destroy the view of the stars above? [He focuses the video a little more on the sky. Granted, they can see the stars any time from their own ships, but there's something about being on a planet that makes it different. The perspective, perhaps? A field of infinite stars is enough that the mind loses its focus unless there's something to compare it to, something to give it context.]
It might. Or it might allow even more people to see their beauty.
It's worth a look if you, like me, find the walls and ceilings too enclosing at times. But do wear your protective gear or you won't make it far outside a shuttle. This planet isn't for the unprepared.
[The view sweeps back to the dunes again, where it rests for a few moments before blinking out.]
[The Vision clicks off the communicator feed and smiles over at Wanda. He's in a full exosuit - he wouldn't need it if he decided to stay intangible throughout the trip, but then he wouldn't be able to grab a couple rocks as souvenirs. Or hold her hand through the gloves as they fly, because here is a space meant for such things.
And he really has missed flying.]
Shall we go to the top of that spire? It looks broad enough for the both of us.
Broadcast: Video from the planet's surface
Action: Locked to Wanda
When: Now
[This video opens up with a view of a sea of dunes stretching out as far as the eye can see, lit only by the stars above. Some of those stars are moving about in a lively fashion - space traffic, though even the large stations are no more than points of light from this distance. Then the camera pans over to view some shadowy but dramatic rock formations - sandstone or a similar sedimentary rock, though it's hard to tell without more light. The voice narrating the scene has a gentle tone and a British accent, almost like a nature documentary. It's only very slightly muffled by the helmet he's wearing.]
A desert planet is hardly unusual. It's the most common type of rocky exoplanet according to the science in my time. Yet here we see several signs that this was not - and need not always be - the case. Look at the gentle curves in the rocks and the way the sand forms dunes. These are signs of more wind and water than the planet has. Did it have a stronger gravitational pull when it was younger? Did its atmosphere bleed off over time? Are these problems that could be fixed, with the right resources and engineering?
And would that effort destroy the view of the stars above? [He focuses the video a little more on the sky. Granted, they can see the stars any time from their own ships, but there's something about being on a planet that makes it different. The perspective, perhaps? A field of infinite stars is enough that the mind loses its focus unless there's something to compare it to, something to give it context.]
It might. Or it might allow even more people to see their beauty.
It's worth a look if you, like me, find the walls and ceilings too enclosing at times. But do wear your protective gear or you won't make it far outside a shuttle. This planet isn't for the unprepared.
[The view sweeps back to the dunes again, where it rests for a few moments before blinking out.]
[The Vision clicks off the communicator feed and smiles over at Wanda. He's in a full exosuit - he wouldn't need it if he decided to stay intangible throughout the trip, but then he wouldn't be able to grab a couple rocks as souvenirs. Or hold her hand through the gloves as they fly, because here is a space meant for such things.
And he really has missed flying.]
Shall we go to the top of that spire? It looks broad enough for the both of us.

no subject
Maybe an engineer can help you build something from scratch? But it's interesting to hear you managed those code modifications. I have to wonder how far we could go with the right tools - some times it feels like Atroma gives enough things to offer a sense of working but not true freedom to go all the way.
no subject
[Don't let him digress into robot philosophy, man. It's a slippery slope.]
There's only one way to find out, of course. I've always preferred applied research to theoretical, myself.
no subject
[Digress all you want, Vision, Shiro is interested. While his nerdiness usually sticks to astrophysics and space in general, since he became a pilot of a semi-sentient lion ship, this topic interests him too.]
I look forward to see what you achieve.
no subject
[It was acting very strange right before he arrived here, for example.]
Thank you.
no subject
[The word he wants is unnerving, kinda creepy. He doesn't like things in his head like that, the lion being the one exception. But he's trying to be polite here, and it seems the stone is important for the man's existence.]
You're welcome. I'm Shiro, by the way, captain and pilot of the Blameless.
no subject
[It would probably bother him more if he weren't totally dependent on it for survival
as far as he knows, anyway.]I am the Vision, Engineer on the Twin Roses. I was captain of the Windrose once, but alas, I went home for two years and upon my return it had merged with another ship.
no subject
[He didn't share a language with Voltron, but ~magic~ allowed them to understand each other. He sees now how lucky he is for that.
There are many things from that statement he wants to comment on - the fusion, the returning. But his eyebrows go up at a very simple thing: his name. It can be a coincidence, he knows. He isn't behaving like anything that Billy has told him. But it's not just Vision, he's also the Vision, what are the chances of that being the same? He has the obligatory weird backstory to match, too, he can almost hear Billy's voice in that thought. And knowing Atroma's preference for certain universe, well... can't hurt to ask, right?]
It's nice to meet you, Vision. [He thinks. So far different realities seems to be the strongest theory.] If you don't mind me asking - are you from the world with the superhero groups? Avengers, and mutants, and supersoldiers.
no subject
One of several, but yes. Mine is the one without mutants but with Avengers. I know there's at least one with mutants only, and at least one with all of the above.
[He knows most of it from Kurt, who had ended up in that world after everything at home with Apocalypse, but he also remembers meeting another Clint here, one who was deaf. Perhaps there had been others in the time he was gone as well.]
no subject
[The feed is turned off for some minutes, and suddenly Vision will receive a text with a link to an old network post on it. Right after that, Shiro appears on the screen again.]
Do you recognize that woman? [Suddenly he feels nostalgic, as if he was having that conversation with Kate again. A good way to identify universes is her very own existence. "How many Hawkeyes do you know?" never failed her, it seems, and Shiro will trust her test.]
no subject
Bishop. Kate, I think it was.
[But then, just to dash his hopes!]
I did see her around the last time I was here, yes. She's from the world Kurt ended up in, not my own.
I'd believe six at least. [Assuming Captain James Barnes and Winter Soldier Rogers were from the same timeline, and that the most recent Bucky's Panem didn't count as a variation on his own world (it sounded too different, even if at least one person had the same identity there). And--did Erik and Charles' world with only the X-Men and no Avengers count? Yes, he decides, because there's been at least one constant person in all of them: each of the six has some variation on a man named Pietro Maximoff who can run very quickly.]
Though on that note, if we simply count "late twentieth to early twenty-first century Earth", the number rises dramatically.
no subject
I see. The adventures I know of aren't yours then. [And this is the last time he's bringing up because there's no way he's going to discuss those world differences with Vision of all people.] Alternate Earths definitely are infinite. It's hard to define the words "universe", "world" and "realities" now. But you must admit Atroma has a thing for your people.
no subject
[Yeah, he's a baby.]
It does seem to enjoy Avengers, doesn't it? Perhaps we are particularly amusing to the "audience".
no subject
From what I understand, it seems most of your heroes have been around for longer in the other versions of your world. So at least you aren't alone there. [He nods at that conclusion.] I bet you are. In general, it seems they like bringing adventurous people, heroic. I haven't met many clerks, bus drivers or cashiers around here.
[There was Tina... a miracle that poor girl survived this.]
no subject
I wouldn't say heroic. I've had at various times an author and an ice skater on my crew, to name two. And Eugene is a radio announcer, in addition to being a chef. I would say it prefers extraordinary people. After all, there's nothing quite like putting an extraordinary person into an "ordinary" situation for entertainment value.