Kurt Darkholme (
ecclesiophobic) wrote in
driftfleet2016-03-04 05:06 pm
Entry tags:
eins (video/action)
Who: Darkholme and whomsoever dares.
Broadcast: Fleet-wide
Action: Marsiva
When: March 4th
Broadcast (can also be an action option for anyone close enough to hear the racket):
[The communicator comes online in the middle of clattering to the floor, bouncing and skidding until it ends up wedged against something that props it at an odd angle. Most of what it shows is a bland view of the ceiling, though the audio of a heavily-accented German voice grumbling is clear as a bell.]
Goddammit, what part of let me d--what the? [There' s a loud implosion of air, with a similar bamf sound echoing further away. The voice mutters something, words indistinct but tone harsh. The clarity increases with the volume as the owner of the voice begins to swear emphatically, lapsing halfway through into truly inventive German, punctuated by the sounds of clattering and movement. Someone just realized his swords are missing.]
Action:
[Sometime after he's calmed down (and hopefully found the communicator/been given a heads-up on the situation, Kurt temporarily gives up on retrieving his swords and goes exploring his temporary home. Feeling vulnerable without his weapons and with a distinct lack of shadows to blend in to, he opts to scurry along the ceiling on fours in lieu of using the floor like a normal person. It also lets him inspect the ceiling for visible cameras, ventilation shafts, wiring, or anything to give him information about their captors' technology level.
Occasionally he stops near one of the huge windows, the view catching his attention even after he's given up on recognizing any of the stars. Kurt's been in space before, but never for long and always too busy fighting to get a good look at the sky. His own world is so polluted with the aftermath of two wars that the stars are hazy--and that's on the clear nights. It's not a good time to catch him on the floor, but it is a good one to catch his attention without interrupting anything.]
Broadcast: Fleet-wide
Action: Marsiva
When: March 4th
Broadcast (can also be an action option for anyone close enough to hear the racket):
[The communicator comes online in the middle of clattering to the floor, bouncing and skidding until it ends up wedged against something that props it at an odd angle. Most of what it shows is a bland view of the ceiling, though the audio of a heavily-accented German voice grumbling is clear as a bell.]
Goddammit, what part of let me d--what the? [There' s a loud implosion of air, with a similar bamf sound echoing further away. The voice mutters something, words indistinct but tone harsh. The clarity increases with the volume as the owner of the voice begins to swear emphatically, lapsing halfway through into truly inventive German, punctuated by the sounds of clattering and movement. Someone just realized his swords are missing.]
Action:
[Sometime after he's calmed down (and hopefully found the communicator/been given a heads-up on the situation, Kurt temporarily gives up on retrieving his swords and goes exploring his temporary home. Feeling vulnerable without his weapons and with a distinct lack of shadows to blend in to, he opts to scurry along the ceiling on fours in lieu of using the floor like a normal person. It also lets him inspect the ceiling for visible cameras, ventilation shafts, wiring, or anything to give him information about their captors' technology level.
Occasionally he stops near one of the huge windows, the view catching his attention even after he's given up on recognizing any of the stars. Kurt's been in space before, but never for long and always too busy fighting to get a good look at the sky. His own world is so polluted with the aftermath of two wars that the stars are hazy--and that's on the clear nights. It's not a good time to catch him on the floor, but it is a good one to catch his attention without interrupting anything.]

action;
[Kurt stays right where he is, faint twitches around his eyes the most visible indication that they're moving instead of the man just staring blankly at her. Then he simply plummets, twisting in the air to land in a crouch. There's very little theatrics to it other than the suddenness of it, no bow when he straightens and looks up at her.] I hope you'll understand if I am still; I'm not the Kurt you know, and neither are you my Ororo.
action;
[In any case, when he reappears again, under more light than shadow this time, she's finally able to get a better look at him. And notices the subtler differences that she hadn't seen before. The mark on his eye, the shadowed look on his face, the grim and guarded expression. If she had any lingering doubts at all, they were gone now. She just nods.]
... I'd assumed as much. I was merely hoping, I suppose, that we could dispense with the formalities in spite of that. [She shakes her head, sounding a bit apologetic even if she won't apologize out loud. She isn't sorry for missing a dear friend of hers.]
Still, I will say that it is always good to see you doing well, Kurt. Whether you are the one I knew, or not. [And that, at least, was sincere.]
action;
Her sentiment gets both eyebrows raised instead of one (that left eyebrow of his has been getting a workout).] Rather overly trusting of you, isn't it? For all you know, I could be a mad warlord intent on abducting all versions of you for my.. company. [He's not fooling anyone with that euphemism, and there's enough mischief in the subtle changes of his expression to suggest that he probably wasn't trying to.]
action;
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