Peggy Carter (
mucked) wrote in
driftfleet2016-10-05 05:57 pm
Entry tags:
closed » you're the horizon line -- i'm the last sunset
Who: Peggy Carter & Steve Rogers
Broadcast: Definitely not.
Action: Closed, aboard one of the occasional waypoint stations as the fleet drifts.
When: Mid-afternoon
[ today, peggy decides she's done with nudges and hypotheticals. done with veiled suggestions and unfulfilled promises. she and steve had danced around the concept of going steady; of being official; of committing. they danced around it without ever really dancing at all. he'd made overtures enough, even if his follow-through was rubbish. and she feels a concrete certainty about him, even though her overtures are shite. so, today, it changes. ]
...Steve? [ peggy rapsher knuckles loose against his bunk's doorway. she looks casual (by her standards) with her hair plaited and her sleeves rolled up. she watches him from the threshold, tilting her head with a flicker of affectionate admiration. ] Let's get out of here for the rest of the day. Just us.
[ although she doesn't use the word 'date', she decides it's been suggested often enough that she needn't so crassly underline her intentions in this very moment. to do so would surely insult his intelligence.
...right? ]
Broadcast: Definitely not.
Action: Closed, aboard one of the occasional waypoint stations as the fleet drifts.
When: Mid-afternoon
[ today, peggy decides she's done with nudges and hypotheticals. done with veiled suggestions and unfulfilled promises. she and steve had danced around the concept of going steady; of being official; of committing. they danced around it without ever really dancing at all. he'd made overtures enough, even if his follow-through was rubbish. and she feels a concrete certainty about him, even though her overtures are shite. so, today, it changes. ]
...Steve? [ peggy rapsher knuckles loose against his bunk's doorway. she looks casual (by her standards) with her hair plaited and her sleeves rolled up. she watches him from the threshold, tilting her head with a flicker of affectionate admiration. ] Let's get out of here for the rest of the day. Just us.
[ although she doesn't use the word 'date', she decides it's been suggested often enough that she needn't so crassly underline her intentions in this very moment. to do so would surely insult his intelligence.
...right? ]

no subject
no subject
[ and it has been an advice he somewhat failed on following when it came to this, to him and her, alone like this as they are. at times, it felt selfish, in other times, an old fear - that the steve rogers of the 21st century isn't quite the same man she remembered, that he had made some painful compromises, since, that he has become a shade jaded.
the world’s leading authority on waiting too long, that's how he very accurately defined himself to one bruce banner and it is a bit frustrating, realizing that he had spent days, weeks, years - grieving this loss of her only to fall into the same old dance here.
it's natasha of course, who was the eye opening authority to this entire thing, who moved on from matchmaking randomly chosen women to figuring out steve rogers was still emotionally attached to one very certain woman.
he turns to look at her, all challenge now. ]
so, agent carter. if you win - what's it gonna be?
no subject
she holds the door open for him for no other reason than she likes to watch his chivalry squirm. ]
If I win? Instead of a coffee date, it'll be dinner. A proper dinner.
no subject
[ his frown turns into an arch of both eyebrows. For all that she is unique, she's still a lady and yet he decides to stay silently confused - only god knows why a lady like her will hold the door for a man. Obviously there are things about her he still needs to learn. ]
We have a wager.
no subject
no subject
[ and if he holds onto her hand for a moment too long, thumb brushing her knuckles, then what of it? ]
How does this thing even work?
no subject
I suppose all the moving parts are prone to theft. So the balls are all fake, and the cues a little more than short batons that taper into hologram tips. It's a lot like your regular game, but the feedback's wonky. And shots do have a tendency to glitch, now and again. It introduces an element of whimsy to the game.
no subject
might make it more interesting.
[ he gestures towards her. ]
ladies first.
no subject
[ pick your poison. ]
no subject
[ his gaze will shift between her and the holograms themselves; watching the colorful balls spring to life with a smile. Holo-billiards. You learn something new every day. ]
Where did you learn alla that?
[ he can't imagine many English women learning this particular game ]
no subject
Same place I learned how to play poker. [ she answers -- only mildly cryptic. ]
no subject
[ he wonders how many other things he will find out in time. Peggy seems to be a riddle at times and an endearing one, at that ]
no subject
I play poker. [ she confirms. ] Don't tell me you're shocked.
no subject
[ it's not even odd. She was never all that traditional and even so - ]
You're really something else, Agent Carter.
[ he can safely say she's really like no one he has ever met. ]
no subject
Good Lord. Half the girls at St-Martin-in-the-Fields likely grew up to be women who would eat a soft mark like you alive. [ she smiles -- indulgent, and perhaps it's enough to suggest she doesn't really mean it. ]
no subject
[ he smiles at her even when he moves towards the table, choosing an angle and bending over for the shot, balls scattering neatly across the table. The lack of sound is decidedly odd. ]
Luckily for me, I only care for one of them.
no subject
Lucky, lucky you. [ she huffs. not quite capable of explaining that she might be the fortunate one in this instance. ] But not lucky enough, as I see no balls were potted.
[ and so play passes to her. she stalks the edge of the table, considering her best opportunity. ]
no subject
[ it is a game within a game and he might be more invested in the one that goes on between the lines. A dangerous concept, there's the coffee date at stake here, after all. ]
no subject
[ she pops the cue gently forward, and eventually grazes the 1 ball -- as per regulations. but, unfortunately, nothing gets sunk. ]
no subject
[ he grins, walks around and coming to a halt after a few paces. Tilting his head, he looks at the 1 ball and leans, sending the white ball to nudge it into a pocket. Straightening up, he looks for number 2 but not without adding ]
You never really need to try.
no subject
she sighs a second time and watches him search out his next shot. ] Well. Can't say I know whether to thank you or smack you.
[ honestly! talking like he is... ]
no subject
[ he gestures towards her cue with a small smile before trying his luck for the 2-ball, a close shot but not quite it ]
no subject
Not too far away, I hope, [ she counters. ]
no subject
[ he should be paying attention to the table. Instead, his eyes follow her fingers as they tuck a curl behind her ear and oh well, a dinner is not a loss at all and if he wraps his arms around her and kiss that exact spot, he has a sure feeling she won't hit him. ]
No, never that.
no subject
Just as well. I doubt a smack would do much good -- you're a little hardier than most.
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)