Natasha Romanoff (
outstandingbalance) wrote in
driftfleet2016-11-16 12:46 pm
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(no subject)
Who: Natasha Romanoff
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
no subject
When she decides to attack, she tells herself it's because this has to be a test. Because they have to be seeing how she'll respond to the temptation of freedom—and because she doesn't think he believes that they have those choices either.
That's her reasoning, and it's a convenient cover for the fact there's frustration behind her when she lunges at him, throwing her small body at his head and trying to pull him off balance toward his bionic arm. If she's right about it being out of commission, it might give her an advantage.
She needs all the advantage she can get.]
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Even with one arm, grappling will be easy enough. She may find that he's a lot stronger than he looks, and he can definitely take more than a few punches from a teenage warrior. All he really has to do is get her pinned. ]
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She does fight like an ally cat, doing all she can to avoid getting caught. It won't last but... she wasn't necessarily expecting to win anyway.]
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« You're going to get hurt. Stop it. »
[ It takes longer than it normally would, the arm only serving as a cumbersome weight, but he does get her pinned. ]
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She stills then, but it's tense. She's not sure what's going to happen next.]
I'm not afraid of getting hurt.
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« Maybe you should be. Don't be too quick to judge your advantage. »
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[She wasn't right either, obviously. But his arm is out of commission. The strategy was good.]
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[ It wasn't a bad strategy, but she was clearly not expecting the strength that didn't match his build and the clear disability. ]
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I'm not dead, am I?
[And she doesn't expect him to actually hurt her. Maybe she misjudged his strength, but she doesn't think she misread that.]
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[ When it's not him and it's not a test. Bucky gets up, taking a few steps away, though he continues to pace. Keeps moving if she tries it again. When she tries again. ]
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Though he's been kinder than most of them.
Now she knows what she's dealing with.]
Next time, I'll know how strong you are. And how much you can take a hit. I'll account for it.
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« Then account for it and make your move. The advantage of surprise is gone. »
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It's clear that she's considering her next move as she sizes him up again.
She amends to herself, won't be able to surprise him the same way she did before. That doesn't mean she can't think of something. If she can do something he doesn't expect, if she has moves or weapons he didn't know about, that would still be an advantage.
This little teenage ballerina is clearly trying to think if there's still any way she could murder him.]
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Never put it past a black widow. His expression gives her nothing, and he waits for her to make the first move. Of course she will- when she's ready. ]
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This time, instead of going for him directly, she charges in an arc around him, trying to use her size and agility to her advantage as she moves past, then uses the wall as a spring board to come at him from behind, once again coming from the left.
He might not be shocked when she tries to brace himself on his shoulder, producing a length of wire from somewhere and attempting to wrap it around his neck. An older version of her tried something similar before.
She always liked a garotte.]
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The extra weight at his back makes him teeter to the left, but he remains on his feet. His fingers wrap with some difficulty around the garrote, and he gives it a solid yank in an attempt to throw her off of him. ]
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He pulls at the garotte and she pulls back, putting all her strength into it. It puts her off balance, but it also keeps his one good hand out of play and buys her time. Her legs tighten around his neck to stabilize her as she looks furiously for another move.]
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She catches on quickly to the situation, not letting go of her advantages. Good. If he'd had both arms available at the beginning of this, it would have been over much sooner. ]
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Or gracefully might not be the right word. She is graceful, yes, but there's still some scramble to get back, preparing for a counter attack that she's more than half sure will follow.]
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« Keep that up and no one will stop you. »
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You stopped me.
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[ There are a hundred different ways she could have gone about attacking him, and despite their mismatch in strength, she adapted quickly to the change in information. ]
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[Which is part of why his approval means something to her, too.]
How would you have done it? If you were me.
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[ Training, being brainwashed, reprogrammed.. Same thing, right? Their background is similar enough. ]
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That's why your opinion is valuable.
[She wants to learn from the best.]
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