Natasha Romanoff (
outstandingbalance) wrote in
driftfleet2016-11-16 12:46 pm
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(no subject)
Who: Natasha Romanoff
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
iskaulit »
at first, she feels prone to ignore the girl. why should she approach? whoever she is, she's better met with someone else int he fleet -- someone else whose ways are kinder and whose generosity knows fewer limits. but something about the hungry look in the girl's eyes inspires peggy to stop. to stop, to frown, and to give the girl a measuring look. ]
-- You look lost. [ and she certainly does look lost. peggy's words are carefully chosen. ]
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For the moment, maybe better if she doesn't let on she understands? She shakes her head in what she thinks comes across as a sign she doesn't know what's being said.]
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It's alright if you are -- lost, I mean. [ she tries to speak as clearly as she can. ] The Iskaulit is a largish ship.
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She doesn't speak. She's not sure she wants to reveal her own accent just yet.
No way of knowing if Peggy would trust her.]
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omg that html blunder.
w/e w/e
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Dance Studio
She notices she's not alone before any of that and it makes her consider acting like she just has the wrong room for a second. Considered and rejected.] Hey.
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Not what she'd expect, somehow.]
You've come to practice?
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How old is she for this?
~10ish? smol but not tiny YOUNGER THAN ICONS I KNOW
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action;;
There aren't many people around, so he manages to go mostly unnoticed. The way he happens to come across the little spy is entirely too coincidental. She does look lost, but there's something about her appearance feels familiar though he can't place it immediately. Bucky casts a glance in her direction and knows the feeling she's telegraphing.
Trapped, working a way out of it. At first, he says nothing, merely inclining his head at her. ]
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The fact he keeps his distance doesn't make him useful, but on some level she prefers it.
When he nods, she drops her gaze.]
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There is a way to make absolutely sure he's right. The Russian comes easier, sometimes. ]
« If you're going to follow someone, be a little more subtle. »
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Iskaulit
Hey, are you lost?
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So playing the lost child.
Natasha shakes her head, pretending not to understand the question, her eyes wide. She doesn't entirely read as innocent though.]
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Iskaulit /peeks at shyly may I?
He is sitting playing his harp idly in one such room that might be suitable when he becomes aware that he is being watched, and he lifts his head curiously ]
Who is there? [ He keeps his voice low and calm, not wanting to spook his visitor ]
Of course!
Keeping her distance, Natasha glances from his hands to his face when he speaks up. Rather than answer his question, she says:]
You do not have to stop.
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Do you like music, youngling?
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Iskaulit
It seems that little Natasha has picked up a tail, literally, considering that she's being determinedly followed by what looks like one of the fleet's furry space vermin. Gemini herself uses these ducts to sneak around on the Iskaulit, so when she finds someone else using them even if it's a child she can't help but be suspicious.]
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iskaulit;
steve is growing more and more worried about the shockwave and the message that came from within the planet, from the planet itself as some have theorized. with little else to do, he heads towards the library to try and see if there is any information about the odd language they are trying to look into.
and suddenly, a child. he stops in his tracks and stands, doesn't approach her at once. she seems worried and he knows that something about his appearance can be worrying to newcomers. ]
hi.
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Natasha's eyes narrow and she shakes her head slightly, once again going for the pretense she does understand.
She doesn't answer, but she does keep watching him.
She has a long way to go before she has her adult self's subtlety.]
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this is absolutely a first but he raises both arms to show he doesn't mean her any harm. ]
You can't understand me? what's your name?
[ he places a hand just above his heart. ]
Steve.
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[ iskaulit ]
What are you trying to do?
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[She hasn't tried anything yet, has she? Just trying to get close. Just trying to figure out what's going on here.
So maybe she's tried something.]
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Let me say it differently. What do you want?
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