Natasha Romanoff (
outstandingbalance) wrote in
driftfleet2016-11-16 12:46 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
(no subject)
Who: Natasha Romanoff
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
no subject
no subject
Would you like to learn?
no subject
But still, she's curious. In some ways she really is still just a child.]
Show me a little?
no subject
So! This is a basic scale. [ he rings each string individually ] And you may either pluck, thusly, or ...
[ he runs a glissando scale, up and down ]
no subject
She's always been a good student.]
no subject
[ he smiles, recognising the concentration for what it is, and plays a short, simple teaching piece - little more than some variations on parts of scales ]
Would you like to try now?
no subject
[He seems honest about this, but Natasha isn't used to generosity.]
no subject
Aye - this lady of mine is old, but she has survived many a young uncertain hand, and will not mind another.
no subject
no subject
no subject
She'll do her best to copy how he held the harp, and while not perfect, it's a good attempt for someone who's clearly never done it before. Natasha has an eye for detail.]
no subject
Maglor nudges her hands into the correct placement if they stray, but otherwise only corrects her softly with his voice ]
no subject
When she feels comfortable enough with how the harp feels, she'll try the simple scale. Not too ambitious.
But ambitious enough.]
no subject
And when she feels bold enough to try he smiles ]
Well done.
no subject
She's tense as she finishes, waiting for the other shoe to fall.]
But it could have been better.
no subject
[ Wryly ] Believe you me, I have heard much worse. Did you see what you could have done better?
no subject
I was off... here.
[She places her hands on the strings to illustrate the place on the scale.]
no subject
It will be easier to hit those notes if you move your fingers, so. Remember, your hands are smaller than mine - you will need to either stretch, or twist thus, if you want to keep the flow of notes smooth.
no subject
Is it easier with longer fingers? That seems like an advantage.
no subject
[ He stretches his hand to show her ] See, I can cover half the strings, just like this - so I need to move less. But you are young yet, and will grow. Until then, there are ways around it.
no subject
[This is just a momentary curiosity. That's all it can be. Still, she tries part of the scale again slowly, considering how he held his hand to make up for a smaller reach.]
no subject
[ He nods approvingly at her attempt ] Better. Now try it at speed.
no subject
[That's the first time she's really seemed to brighten, even if it's subtle. It's clear that's something she truly enjoys.
She does as she's told though, repeating the scale more quickly.]
no subject
Then the rhythm is in your blood, I think. You might do well with something like a flute, perhaps.
[ He nods approvingly ] You learn swiftly.
no subject
Thank you. I should be..
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)