Natasha Romanoff (
outstandingbalance) wrote in
driftfleet2016-11-16 12:46 pm
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(no subject)
Who: Natasha Romanoff
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
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[This is just a momentary curiosity. That's all it can be. Still, she tries part of the scale again slowly, considering how he held his hand to make up for a smaller reach.]
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[ He nods approvingly at her attempt ] Better. Now try it at speed.
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[That's the first time she's really seemed to brighten, even if it's subtle. It's clear that's something she truly enjoys.
She does as she's told though, repeating the scale more quickly.]
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Then the rhythm is in your blood, I think. You might do well with something like a flute, perhaps.
[ He nods approvingly ] You learn swiftly.
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Thank you. I should be..
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One day, perhaps, I will play and see you dancing. [ He smiles at her ]
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[Not now, though. She doesn't think ever. Still it's nice to pretend.]
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[ he promises her ] You need but ask.
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Sometimes there's not enough to go around.
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Which only means that it should be shared freely, and more often.
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Are you truly only a musician?
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But I am older than I look, little lady. I have had many roles and many titles in my time.
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Just how old are you?
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But I am not, and my folk do not wear the burden of time in the same way as you.
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But what they call themselves, that stirs her curiosity.]
Quendi? [Even at this age, she speaks several languages. She doesn't have a problem replicating the word.] Why do you call yourselves that?
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Because we were the first to speak with tongues, in our world. [ Wryly ] Some say, because we like to talk. Which is also true, if not the inital reason we chose that name.
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[The second seems more realistic to her, though. The first explanation sounds like a myth.]
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