Natasha Romanoff (
outstandingbalance) wrote in
driftfleet2016-11-16 12:46 pm
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(no subject)
Who: Natasha Romanoff
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
Broadcast: Fleedwide
Action: Iskaulit to start with
When: 16 Nov
Video
[The broadcast is brief and obviously accidental. A young girl's face appears on screen, confused and tense, then almost at once her brows draw down and together in an intense frown. Her expression is dark and thoughtful as the feed shakes, then cuts out entirely.
For those paying attention, the corridors off the Islaulit can be identified behind her before the transmission ends.]
Action
[When she wakes up, a young Natasha finds herself in what appears to be a small dance studio. Unfamiliar, but not too shocking. The mirror, the barre, the wood flooring, are all things she's accustomed to. It isn't where she expects to be, but it is somewhere she would expect to wake up in a general sense, in a general way.
Waking up somewhere strange isn't completely shocking either.
It's not until she ventures out into the rest of the Iskaulit that she starts feeling out of her depth. She can't place where she is, even where she might be. There's no outside. The structures are nothing like she's scene before. The computers are completely alien to her. The people are worse. She avoids them, of course. At least at first. Sneaking through shadows and hidden corners, in ducts if she's lucky enough to find access. She observes what she can, trying to work together the situation as she can, applying what training she can. But how much she can do is limited.
Tiny spy is out of her depth.
Which is what forces her to come out of hiding. (Maybe that was the point?)
When she finally lets herself be approached, she's already determined to put on a lost, scared face. It's for the best. That way people will underestimate her. Trust her more. It's a good plan.
The expression might not be entirely fake, though, and she can't entirely hide her suspicious skittishness. The end effect isn't entirely unlike a stray cat begging for food.]
((OOC: Augment glitch? Come play with smol murder ballerina.))
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[ -- peggy glances to the right, making eye contact. but only briefly. something in the ensuing beat of silence suggests she's not prepared to trust the girl to be honest with her. ]
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[ very generous. but then again, this is hardly anything like a normal interrogation. whatever similarities their roots might have, this girl isn't dottie underwood. this girl will (likely) grow up to be one of steve's dearest allies. that, alone, is enough to play outside the rule book.
no matter what the verdict, she wants to share bits of this place with the girl. explain them to her -- clarify their position in this larger fleet. ]
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If she had to venture a guess, Natasha would say that it's an attempt to build a greater report between the two of them, one which perhaps Peggy can use to her own advantage later on. If that's the case, then it comes with a great deal of risk.]
I accept.
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You understand English, don't you? [ easiest guess she's ever made. but it's not the main thrust of her intel. ] So this is merely academic. But any one of us can speak in one language and be understood in another.
The augment connected to our brains does the translation for us, [ she explains. but this time, in french.
of course, she suspect natasha understands french too. ]
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Peggy's explanation fits her observations. She doesn't like hearing it though.]
What do you want to know in return for that?
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coolly: ] ...Have you ever had your nails done?
[ off the rulebook, indeed. peggy's not interested in making a prisoner of the girl, despite the understanding that 'natalia' will likely view her overtures with contempt. primarily. but she's playing a longer game: it's about what natasha will remember, once things are set back to rights. hopefully, she'll recall peggy trying to treat her like a friend.
or something close to it. ]
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[Contempt is, indeed, what Natasha meets that question with. And her tone makes it very clear that the answer to these two questions is likely to be the same.]
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The former. [ she drums her own red nails against the shuttle's piloting console. ] Although the hue remains much the same.
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As training, and for missions.
[Again the answer remains the same for both.]
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[ taught by mothers who learned from the mothers before them. taught by fathers and brothers and beaus with expectations. taught my the women who live next door to them in the lodging house -- and she thinks, again, on how she'd not been able to see through dottie's cover. so perfectly fitted to the world was she. ]
Not just American, I suppose. But I only ever saw the classroom for the girls who learned how to infiltrate America.
[ there. more information, really, than she's shared with natasha proper. a little easter egg for to remember when she's all grown up. a trail of breadcrumbs to lead her back to a conversation she may never want to have. her choice. ]
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[Infiltrated, but not for long. She saw only the tiniest bit of the program. That much was clear.]
It's not so funny. That's just how it is.
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You may have time for another, though.
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[ a thin success, but a success all the same. ]
How old are you?
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Eleven? Twelve?
[She shrugs, as though she doesn't know herself. Whether or not that's true... who knows.]
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[ peggy watches as the starstruck comes into sight. the hatch opens -- and the auto-pilot directs the shuttle smoothly into the bay. ]
Which would you rather be?
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Does it matter?
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[ -- it doesn't matter which the girl prefers, but it does matter if she prefers. peggy probes the edges of her free will. wondering what's left of it, or what's been burned out and leaving only survivalism behind.
she'd done much the same with max when he first came to the starstruck. ]
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But there's the sense that she's guarded, that there are things she doesn't share.]
It is my turn to ask you a question now.
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What would you like to know?
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About this.
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[ the shuttle opens up on a wide bay. a few other shuttles are present, including one that appears to spend more time stationary than not. one corner boasts a gym-area, including a punching bag. oddly, perhaps, there's a record player present as well. peggy passes by them all. ]
Mine allows me to manage the communications equipment on this ship. Not all augments are the same, although they do all similarly handcuff us to the fleet. Effectively.
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