Lup (
necromanswers) wrote in
driftfleet2018-11-14 01:14 am
Libuscha IV System Mingle (no. 1)
Who: Everyone! OTA!
Broadcast: sure why not
Action: yeahhhhhh
When: 11/12 to 1/4 (minus 12/26)
It's Candlenights! Or Christmas! Or whatever! It's festive! Go celebrate, explore, go get free stuff from a tree!!
More importantly it's a mingle!
--SYSTEM INFORMATION--
Broadcast: sure why not
Action: yeahhhhhh
When: 11/12 to 1/4 (minus 12/26)
It's Candlenights! Or Christmas! Or whatever! It's festive! Go celebrate, explore, go get free stuff from a tree!!
More importantly it's a mingle!
--SYSTEM INFORMATION--

no subject
Belthazar. You can, ah, shorten that if it's easier. [His full name is ridiculous and he knows that.] I don't mind.
I suppose it's too late to convince you that I know what I'm doing.
no subject
Belth, got it. And hey, not sure I can really judge you on knowing what you're doing- not sure I fully get it at first glance either. You're infusing rocks with magic essence or something?
no subject
Something like that. I can conjure a mana gem and infuse it so I can use it later when I need to recharge, but because it's conjured it doesn't last forever. This planet is absolutely abundant with energy so I thought of using some of the crystals as more stable vessels for power.
The most stable gems have to be mathematically perfect-- an even number of sides, and without flaw in the gem's structure. But they aren't attuned to my mana like a conjured gem is, so I'm having trouble keeping the energy in there.
I'm trying to make batteries but so far I've only made bombs.
no subject
She hums thoughtfully, stepping closer to lean over his table and the crystals, or whatever is left of them. She reaches down but doesn't touch, giving him a questioning look, like- is it okay to do it? She's not too keen about blowing her hand off.]
I wonder if that sort of problem could be fixed with an bit of artificing, maybe some specialized transmutation on the side. What kind of specifications do you need with 'em? Was that one precise enough or does it need more tweaking?
[This sounds like a proper magical math experiment, which is 100% her jam. Hell yeah.]
no subject
It might be that my transmutation isn't good enough, too. I usually enchant things or I conjure them. I don't do a whole lot of actual transmutation unless I'm trying to make potions.
[He picks up one of the shards that fell into the snow.]
I thought this one was good, but then it started cracking from the inside. There was probably an inclusion I couldn't see. Or maybe...
Do you think a prime number of facets might be more stable? I've been patterning them after the mana gems I conjure, but maybe it doesn't matter.
no subject
Think you nailed it, there. When in doubt, always go prime. It gives the magic less of an escape route, and from my experience, magic is like a wild animal. If you don't have the right arrays to tether it, it'll just get loose and bite your ass off.
[She sets the crystal down and presses her palm to an empty spot on the table, casting Prestidigitation and tracing out a complex magical array, circles upon circles, split by a series of too many lines to be sensical. She presses a finger down on one of the lines, leaning into it.]
Here's your crystal; too many smaller sides makes each one too weak. That sucker's gonna shatter, kinda like it did a minute ago.
[The illusional array shatters under her finger, fragments spreading outwards. She casts it again as it dissipates, this time with fewer details, sharper corners.]
There's strength in simplicity, and it leaves less room for error. I say go for that.
no subject
[He comes closer so he can examine her demonstration. She's certainly talking sense. Their magic doesn't seem to be so different...]
It's just like architecture. The strongest shapes are the simplest ones.
[The architecture of a spell...
He traces his fingers over the lines she makes in order to memorize them, even if he can't feel them.]
Symmetry is still important, right? That's what makes this difficult for me to construct. But there's different kinds of symmetry, too. To make it a prime number of facets and rotational symmetry like in a real jewel rather than just a blind sixteen-sided cut...
I think I can do something with this.
no subject
Symmetry's crucial, yeah. It's a factor in the simplicity of the design, and it adds stability. If there's a difference between one side versus another, that's another crack for the magic to exploit. You want to minimize that risk as much as possible. A square block of refined wood's a lot harder to break than the unbalanced shape of a tree branch, yeah?
no subject
[He picks up one of the inert samples and turns it over in his hands. It's a beautiful blue-green and translucent at the edges.
The crystal begins to glow as his eyes burn a brighter gold. He shapes it like a sculptor shapes their vision, invisibly pulling the bottom of the jewel into a point by way of some hidden string. Obviously this takes some concentration, but he goes slowly now, in case Lup wants to make improvements. And just in case the thing explodes... but it shouldn't with this gentle reforming. He isn't altering the shape too dramatically.]
What about a square pyramid?
no subject
Her gaze drifts to the crystal as he shapes it, examining the way it transforms in his hands with a more critical eye. For all her love of evocation, there's no denying that transmutation magic has plenty of uses.]
It meets all the requirements we just went over, technically, but your symmetry's limited to four of five sides. Even the smallest inequality can wreck your shit. How about a triangular base?
no subject
It's technically not a prime number of facets, but it is symmetrical. And triangles are the strongest shape in anything.]
Like this?
[Sharper corners... He pinches and pulls his corners to tighten them up.]
no subject
Looks about right. Once you're done, pass it over, I can double-check. Four eyes are better than two.
[And four sides are better than five, now that it's coming together. It feels right.]
no subject
At last he nods and closes his hands around the pyramid, ending the spell. He checks it over one more time, then hands it over. It's warm and smooth in texture like a hearth stone if one forgives the pointy ends.]
I have a good feeling about this one.
no subject
It's easy to fall back into old artificing habits: the design process, the debates, the physical development, the pure, delicious arcane exploration of it all. It's familiar in a way that many things about this place has been, though at least in this instance it's a pleasant way.
She taps one finger to a side and releases the crystal, and with her Levitate spell active, it floats in the air. She uses that same finger to flick it gently a couple of times, watching it rotate in the air, her keen eyes searching for signs of wobbling or off-kilter rotation.]
Looks pretty damn good, by my estimate.
no subject
With it comes the excitement and the realization that he's actually making headway on a project he's had for a few years now.]
If this works-- [His voice trembles at the edges.] -- if this works, it'll change my life. And I'll be one step closer to making something that can produce mana on its own.
no subject
Hmm.
Lup releases the spell, catching the crystal deftly as it drops, but she doesn't hand it over just yet.]
Question for you, first. Your magic- is it affected by your emotional state?
no subject
I-- [He feels reprimanded even though there wasn't a trace of that in her voice at all. His ears flatten against his hair, a tell if there ever was one.] -- yes.
no subject
Thought so. Natural arcana's twitchy like that sometimes. Take five, my dude! Walk around for a minute, shake off your jitters, find some zen. If it's as important as you say, then there's no sense in making it all go boom because you've got stage fright.
[Her tone is casually matter-of-fact, not meant to be judgmental. He seems to know what he's doing well enough, but over-eagerness can be as much a flaw in the design as sides or symmetry.]
no subject
Okay. Okay. Yes, you're right. I should... [probably do something about this impending anxiety] ... take a small break. I'll drink some water, maybe have something light. I don't remember the last time I ate.
[He kneels down beside his satchel, which is half-hidden underneath the table. He removes a canteen and a meticulously-wrapped bundle, checks it, and then glances over his shoulder.]
Are you hungry at all? I have some cookies and bread with cheese. It's very basic, but it keeps well out here.
no subject
Sure, I can always eat! Hit me up.
[Basic isn't usually her jive when it comes to food - or most anything, truthfully - but any port in the storm. She can always make it tastier if it doesn't suit her as she likes it.]
no subject
The bread is airy and soft, though a bit cold at this point, and a smaller wheel of cheese is tucked beside it. He splits the bread lengthwise with a small knife so that each of them get half, and then he unwraps the soft white cheese and the cookies. The cookies are less basic because Belthazar can't do anything halfway; they smell of brown sugar, butter, caramel, and a hint of peanut butter, because they're filled with the stuff.
Belthazar spreads some cheese onto his bread first. Cookies are for dessert and dessert comes last.]
I love conjuring food as much as anyone, but there are some things I'd rather just make myself.
no subject
Hey, no argument here. Even when conjuring food I like to just make the ingredients and piece it together into a proper meal. Cooking's awesome.
no subject
I used to work in the kitchens of the nobility. It was the best way to put food on my plate, assuming I didn't mess it up.
no subject
[Nobles are fickle as hell- they could either be generous with their rewards or, more likely, selfish and reluctant to spend a single copper more than they're forced to. despite having more of it to go around than what they could spend in a single lifetime.]
no subject
[He rips off another piece of bread.]
I'd rather be homeless than hungry.
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