Lup (
necromanswers) wrote in
driftfleet2018-11-14 01:14 am
Libuscha IV System Mingle (no. 1)
Who: Everyone! OTA!
Broadcast: sure why not
Action: yeahhhhhh
When: 11/12 to 1/4 (minus 12/26)
It's Candlenights! Or Christmas! Or whatever! It's festive! Go celebrate, explore, go get free stuff from a tree!!
More importantly it's a mingle!
--SYSTEM INFORMATION--
Broadcast: sure why not
Action: yeahhhhhh
When: 11/12 to 1/4 (minus 12/26)
It's Candlenights! Or Christmas! Or whatever! It's festive! Go celebrate, explore, go get free stuff from a tree!!
More importantly it's a mingle!
--SYSTEM INFORMATION--

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I don't know. I haven't really listened to much of it. [He peers over at one of the top sheets of paper Lup has collected.] The Lieutenant plays music in his car sometimes, which is the most I've heard.
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Well, the only way to figure out what you like is to listen to a lot of different styles. What kind of music did he play?
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[Connor taps the sheet of paper, curious.]
Is this your own composition, or notes on what's being played in this tavern?
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[She leans slightly more classical for the most part, but she can appreciate a good drum beat.]
I've been replicating the band music. I'm kind of rusty when it comes to composition, so this is good practice. Plus keeping sheet music for new songs is important- carry enough songs in your head and sometimes the notes can start to blur.
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[Hank was always, well, pissed off when playing his music. And just pissed off in general when Connor was around.]
Is that easy to do when there are several instruments in play but you only have one yourself? [Keeping things straight in his head isn't a problem for Connor, but music is out of his usual ambit.] Given our stay will be temporary as well, it's useful to keep a copy of the music for later.
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[She grins, idly plucking at a couple of strings, imitating a bar or two of the song she's compiled.]
It can be tricky, but if you know what to listen for you can pick out the parts you wanna focus on. Take practice, is all. But it helps that the violin has a pretty distinct sound to it.
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I don't know that either. That sort of thing is new to me in general.
[Even as he says that though he has to wonder what the expiry date is on that. Being new to feeling. He's been in the Fleet for nearly a month now, a significant part of his lifespan. It's exponentially more time than he'd had at home as a full-fledged deviant. If only there was a user manual for this sort of thing.]
It does, yeah. When did you learn how to play?
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I'm sorry, but what counts as a musical emergency?
[All the emergencies Connor is adept at tend to be violent or murderous. He can't see how music factors into those kinds of scenarios.]
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Music is life, my dude. It's a way to communicate emotions to people when you don't know how to say the words. Music's love, hate, joy, anger, all the good and the bad. A music emergency is, like... when shit goes south and you're feeling down, the right song can ease your troubles just long enough to figure out what's actually wrong with you.
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It occurs to him now that there's no reason that should still be true. If he bothers to listen.]
I've never thought about it that way. I didn't really know anyone who played music at home, so ... it's never come up.
You really feel like that when you play?
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I do. Not all at once, of course. That'd be too messy even for me. But songs can connect you to moments in your life- maybe where you heard it the first time, or maybe when something happened to you while it played, good or bad. Music can speak to your soul, conjure up memories whether you want them or not.
[Her fingers pluck gently at the strings, playing a couple of bars of a soft, slow song.]
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You're very passionate about this, Lup.
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Passion's important! If you don't give a shit about your art, no one you share it with will feel anything. It'll just be noise to fill the silence.
[She'd seen a few passionless projects come and go back at Legato- slaved over for hours and hours and then just forgotten forever when Fisher and the family devoured it without rebroadcasting. Passion wasn't a guarantee of success, but often it made a huge difference.]
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[Not as far as his experience with art goes; that's something he's still encountering fresh. But the sentiment behind Lup's words applies to other things. He knew the difference between doing work because he was told to, and doing it because he cared about it. That same difference had come over Hank towards the end of the deviancy case. No one would have accused Hank of being passionate before that.
He'll need more exposure to music before he really knows what he likes. Thus far, he's been far more preoccupied with the strangely musical chimes in the background of the communicator, even while sitting in this tavern as other musicians play. That thought reminds him of what he was doing before Lup waved him over, and he straightens up a bit.]
Speaking of music, have you noticed the background noise that comes from the communicators on this planet?
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[She considers her violin carefully for a long moment, adjusting her finger position, then plucks a single note, the sound long and lingering- it's high-pitched and soft.]
Between this and the magic tingly-winglies, this place has me running on Fantasy Red Bull 24/7. This place is weird.
no subject
[It isn't, though. There's no discernible source and it only comes from devices like the communicators. Connor himself can't pick it up with his own audio processors, no matter how much he boosts capacity to that area or scans the surroundings for transmissions.
...and that's when he slightly loses the thread of what Lup is saying. Somewhere between tingly-winglies and Red Bull. After a moment's baffled silence he responds carefully.]
I don't know if it's fair to comment on the normality of an alien planet. [Then he shakes his head minutely.] But I have to agree.
no subject
[Not as weird as Jello Town, but pretty up there.]
I've tried tracking the source, but no such luck yet. The signal's carrying loads of interference that makes the pathway harder to follow.
no subject
[A constant yet irritating possibility out here in space. Connor pulls out his own communicator, eyeing it critically.]
Or it's something else entirely.
no subject
[She's not an engineer or a communications officer on this particular voyage, so her options of investigating it are somewhat limited to the magic side of the equation.]
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[Because there must be someone who does. Whoever they are haven't made themselves known, though, so here they are theorising in circles.]
If the signal grows stronger or weaker we might be able to work something out from there.
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[She halts her casual violin plucking and flips over one of her papers, starting to scribble down a series of notes. First literal notes, the tune of whatever frequency she was hearing, before moving on to basic observations. She points her pencil at him.]
You've got superhuman hearing, I assume? Mr Cyber-Life?
no subject
I do. My audio processor can register sounds at a greater distance and a wider spectrum than a human's.
[He's less inclined to say he can intercept radio and wireless transmissions too, since so far his experience in the Fleet is that such things might be beyond his current hardware. Either because of insufficiently advanced technology or interference from the Atroma's augment, he's not sure yet.]
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