raven "daba dee daba die" darkholme. (
athru) wrote in
driftfleet2016-09-03 11:20 am
Entry tags:
though it hurts to breathe
Who: Raven, Hank, Charles and Erik
Broadcast: No
Action: On the Heron
When: Now onwards!
[ It had taken her a little while to calm down with Hank at her side, long enough that she's practically itching to make her way over to the Heron as soon as she can, device in her hand - the temptation to text ahead, to make sure they're really there, that they're okay, is almost a little too daunting and there's not much Raven can do other than force herself to stop. She's stronger than this, true, but coming out of the other side of something as horrendous as Apocalypse and standing tall, waking up on the Fleet, trying to figure out if she can handle it all again - it's too much.
The only thoughts in her mind are that she needs to find Charles, she needs to find Erik, and she needs to make sure they're alive, that they're safe, that they're here. This is going to be impossibly difficult for all four of them, Hank at her side, but they could work through it. They beat an all powerful mutant 'God', they came together as a family and they worked, hard, to make sure they all came out alive the other side.
What was the Fleet after all that?
It doesn't take her long to break away from Hank into a practical run as she reaches the Heron, a flash as she makes her way down the hall to find the other two mutants. Erik is important in her mind, of course, but her first instinct is to call out for Charles, standing outside the door and pressing her fingers against it, afraid for a moment that he won't answer, that he won't be there. The fear grips her, and her hands shake, but she does it anyway, knocking and calling for her brother.
After that, later... Well, she has to take time to calm down. Once she's sure Charles is safe, that Erik is safe, she can actually move to relax herself, the weight on her shoulders fading away. It takes time, but it happens, slowly... But she doesn't leave. She doesn't feel like she can leave either of them, and she wonders how they're going to handle that. ]
Broadcast: No
Action: On the Heron
When: Now onwards!
[ It had taken her a little while to calm down with Hank at her side, long enough that she's practically itching to make her way over to the Heron as soon as she can, device in her hand - the temptation to text ahead, to make sure they're really there, that they're okay, is almost a little too daunting and there's not much Raven can do other than force herself to stop. She's stronger than this, true, but coming out of the other side of something as horrendous as Apocalypse and standing tall, waking up on the Fleet, trying to figure out if she can handle it all again - it's too much.
The only thoughts in her mind are that she needs to find Charles, she needs to find Erik, and she needs to make sure they're alive, that they're safe, that they're here. This is going to be impossibly difficult for all four of them, Hank at her side, but they could work through it. They beat an all powerful mutant 'God', they came together as a family and they worked, hard, to make sure they all came out alive the other side.
What was the Fleet after all that?
It doesn't take her long to break away from Hank into a practical run as she reaches the Heron, a flash as she makes her way down the hall to find the other two mutants. Erik is important in her mind, of course, but her first instinct is to call out for Charles, standing outside the door and pressing her fingers against it, afraid for a moment that he won't answer, that he won't be there. The fear grips her, and her hands shake, but she does it anyway, knocking and calling for her brother.
After that, later... Well, she has to take time to calm down. Once she's sure Charles is safe, that Erik is safe, she can actually move to relax herself, the weight on her shoulders fading away. It takes time, but it happens, slowly... But she doesn't leave. She doesn't feel like she can leave either of them, and she wonders how they're going to handle that. ]

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I'll take your word for it.
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[ She's settled now, comfortable and back where she belongs in his arms, and it makes her smile. ]
Would you prefer they listen to Mozart?
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[ But Charles has taught enough children to know a losing battle when he sees one. ]
But no, I prefer they enjoy what they can.
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Spoken like a proper professor.
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You have the experience. That makes you qualified.
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I appreciate your faith in me.
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[ Leaning up, she wraps herself around him, a scene that would probably make their students feel a touch awkward. ]
When we're done here I'll go get some clothes. Do you need anything while I'm out?
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[ He still has to . . . finish his conversation with Erik. There were many loose ends. ]
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[ Because that's how you fix the two of them hurting. ]
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[ His tone is no less pleased, but it's fraying. He's looking a little tired around the edges and Charles rubs at his head. ]
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Clothes and food. I'll bring some of my blankets from the Blameless, too. [ Then, quietly; ] Then we can sleep. How does that sound?
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As long as you're sure.
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[ She lifts both her hands, smoothing her palms down against his cheeks gently. ]
You come first. My family comes first.
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