Voices from Heaven (
thespaceopera) wrote in
driftfleet2017-04-14 04:39 pm
Entry tags:
- !mingle,
- allen walker,
- anthony j. crowley,
- ardyn izunia,
- arthur kirkland,
- asuna yuuki,
- aurae "tempest" le paulmier,
- beverly crusher,
- cara,
- charles xavier,
- erik lehnsherr,
- ezri dax,
- fenris,
- fie claussell,
- ignis scientia,
- jack sparrow,
- jennifer keller,
- katherine "kitty" pryde,
- kazuto "kirito" kirigaya,
- keith,
- kubo,
- kurt darkholme,
- lance hunter,
- lunafreya nox fleuret,
- mikleo,
- misty day,
- mon-el,
- natasha romanoff,
- pavel chekov,
- riona cousland theirin,
- rip hunter,
- sam winchester,
- sokka,
- sora niniji (au),
- takashi shirogane,
- takeshi,
- tina belcher,
- velvet crowe,
- winn schott,
- yuan ka-fai,
- yuri lowell
April System Mingle
Who: Everyone!
Broadcast: Possibly!
Action: April System
When: Month of April!

[Welcome to the Belt, a huge asteroid belt that's been terraformed for life. Here you can explore the different asteroids, become a rock star, race on some ATVs, enjoy not being underwater.
In other words, it's a mingle! Get in everyone!
> System Info ]
Broadcast: Possibly!
Action: April System
When: Month of April!

[Welcome to the Belt, a huge asteroid belt that's been terraformed for life. Here you can explore the different asteroids, become a rock star, race on some ATVs, enjoy not being underwater.
In other words, it's a mingle! Get in everyone!
> System Info ]

no subject
she cards her fingers impatiently through a selection of curls. ]
He's narrower. [ lighter, too, she'd reckon. ] But he's narrower than just about anyone. Hard to find a point of comparison, really. Not many match his measurements. But I should be able to account for the difference once I see it on you.
no subject
Then by all means. [He pauses long enough to retrieve his coat, then gestures for Peggy to proceed, easily falling into step with her.] I'm sure you're rather eager to get back to him.
no subject
We're not attached at the hip. [ her temper gets the better of her. she takes a breath, steadies herself, and swallows the worst of her proverbial bile. ] This week has been a bit more trying than most, that's all.
no subject
Because of a glitch? [Might as well at the opportunity to confirm his suspicions. Winn had left it vague beyond grown adults being turned to children or falling into comas. Having someone suddenly shrunk falls into the bounds of limitations unknown, he thinks.] You realize there is absolutely nothing wrong about being worried for someone you care about. Most people would consider it quite normal, in fact.
[Just saying, Peggy.]
no subject
but there is (at least) an imperative to warn him of the pitfalls to come: ] Because of an augment glitch, yes.
no subject
She opts for the safer topic regardless, and Rip lets that sink in as they find someone to actually assist them. He asks after the dressing rooms, then turns to go in the direction the helper points.]
I got a bit of warning about those. Including the part where the effects are meant to be temporary and do no lingering harm. [Perhaps it's not an aspect he's strictly wanting to confirm, but it feels relevant to the conversation.
Especially since Rip can't imagine that Peggy isn't worried, no matter how many frowns she might throw his way whenever Rip tries to imply it.]
no subject
[ not physical harm, at least. she's certain barnes is still coping with the mental fallout. ]
no subject
Technically that's more of an indirect result of the glitch--but I do see your point. [Rip's gaze turns downward then, his steps perfunctory as he considers the implications of such an alteration.
What he wants to know now is likely personal, which means Peggy will be unlikely to answer.
But Rip needs to know.]
Do you know the nature of the glitch that caused that person to do you such harm? [By accident or otherwise.]
no subject
[ suggesting that further details might not be so forthcoming. it's not that they're secret -- just that she might be a little too close to the events. ]
no subject
There are too many moments Rip has not forgotten. That he cannot, nor should he be allowed to.]
You seem rather sure about that.
no subject
Not many people arrive with such a particularly nasty piece of programming still stuck in their brains. Although I'll readily admit his situation may not have been unique.
[ there's no coming back from this -- no pretending she's an office worker, or a civilian, or anything but someone with a professional stake in these matters. ]
no subject
This person had undergone some form of mind alteration, then. [There are many names for the process that Rip has heard throughout time. Memory manipulation, cognitive intrusion--brainwashing.]
And that programming led him to go after you?
no subject
no subject
[With cold efficiency, Rip wonders, or some brand of sadistic glee? He remembers the night all too well, the utter joy he found in the moment when he aimed the gun, pulled the trigger and looked upon his work with satisfaction because she no longer meant anything to him.]
You said the programming was in his head still. You're sure of that. [He doesn't want to hope, but he also needs to understand, to know how likely this might happen again.
If it might happen to him.]
no subject
It was there when he arrived. It mightn't be there still. [ how is that? well, that's what she's keeping to herself before she gets a better read on the moment. ] Why are you so curious about him?
no subject
[She has told her half-truths and kept her secrets, even as Rip has quietly (or overtly) pried. But what Peggy Carter perhaps has not realized is that for everything she's left unsaid, something from Rip has gone untold as well.
This he does not mean to tell. Even though he doesn't look at her--has not for the pace of several steps--and that might make it clear enough.
He still has no desire to admit that whole truth.]
Without understanding how they work, who's to say that we can't all be suddenly reprogrammed in such a fashion?
no subject
[ it is making it clear enough. she reads the absences. although, notably, she doesn't assume his concern is for himself. it could equally be for a familiar face or for someone he fears might arrive in time. ]
The augments can revert a person to a previous state. They can -- enhance certain strengths or strip them away entirely. [ another beat. ] I've yet to witness them taking control of a person who isn't already susceptible to that sort of thing.
[ which makes her wonder... ]
no subject
[It's almost funny that she doesn't realize Rip thinks of himself first, and yet there it is. He hasn't considered those from his own world and time simply because they are not here, there's no indication they will be, and even if they might show up--
It's easier to live under threat of them, than for Rip to accept being the one to stand as the danger.
Because even if she's right, he has no reprieve. Rip has been proven subject to those manipulations time and again, by the hands of the Time Masters and the Legion and his own desperate need to protect those things which he once believed in above all else: time, reality. Humanity.
Captain Rip Hunter was the puppet, he can still hear himself angrily say.
And perhaps he will be again.]
We've gotten rather distracted, haven't we? [It's obvious but frankly? Rip doesn't care. They're close enough to the changing rooms that's it's a simple matter to duck into a stall, to busy his hands hanging up jackets and opening buttons.
To think about what would happen if he were to change in such a way in this new setting, and lose himself once again.]
no subject
she watches his feet beneath the stall door. and with her own cold brand of mercy, she explains: ] There's...a telepath. In the fleet, I mean. Aboard the Heron. He can root around in someone's mind and pull apart those kind of implanted suggestions. It's what he'd offered to do for the man who broke my ribs. Of course, we can't be dead certain it worked -- but we can hope. I can hope. You see, I knew him back home as well.
[ she hides a crumb of advice in a confessional. rip needn't acknowledge what she's told him -- that there might someone out there who can help him if he is (indeed) concerned for someone's sake. his own, or anyone else's. ]
no subject
Even if there is nothing left of the Legion's handiwork lingering--or more to the point, if the thought of someone else routing around in his head, best intentions aside, makes his stomach twist.]
I am sorry. For you and your friend. [Did Peggy watch this unnamed man in the same way Sara had Rip? That Jax had? Had she pled with him, desperate to find some trace of the man she'd once known? He pulls the shirt over his head; it's a bit snug, but he manages it.]
...Is it the same one you're out shopping for now? [Or a different person she cares for, whom has been brought here along with her despite every improbability of such a thing happening.]
no subject
[ a huff. the ludicrousness of it all drives her to be a little more honest: ] But Steve -- sorry, the one I'm shopping for -- is good friends with the other.
no subject
Complicated wouldn't begin to describe it, he suspects.]
They are, even after everything that happened? [Rip's seen it for himself: that amazing sense of understanding that comes in such cases, even when to the guilty it makes no sense that they be painted in such a light. There's blood on Rip's hands now, and it doesn't matter that Sara promised it hadn't been him, that the Legends offered handshakes and nods and quiet acceptance each in their own way.
Ah, but perhaps this unnamed mystery person takes to all of that better than Rip. Who is he to say?
He steps out of the stall carefully once he's ready--not just in clothing, but in mind as well, holding out his arms for a moment to silently ask her opinion of the shirt.]
1/2
she crosses her arms and eyes the toes of her shoes and waits. ] And he's always been better at forgiveness than most. He knows his friend wasn't in the driver's seat. So to speak.
2/2
Oh, Christ. [ a sputter. ] God, I'm so sorry.
Re: 2/2
Still. There's something in her apology that rubs just the wrong way.]
For your amusement, or for the fact that I look like I've tried to stuff myself into some sort of cheap cloth casing?
[Just so they can be clear here.]
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)