My name is Max. (
theroadwarrior) wrote in
driftfleet2016-11-02 02:00 am
Entry tags:
Open | A Monthly Starstruck Mingle!!
Who: The SS Starstruck's crew and visitors...!
Broadcast: N/A
Action: Aboard the SS Starstruck
When: November 1st—31st!
Everyone get your mingle on for November! This is a quick post for the Starstruck, have at it.
Broadcast: N/A
Action: Aboard the SS Starstruck
When: November 1st—31st!
Everyone get your mingle on for November! This is a quick post for the Starstruck, have at it.

open | finally his work in october pays off (depending on who you ask)
One, he really should just shut himself up in the ship forever.
And two, he was genuinely worried people would think he left them on purpose.
The intrusive thought is not going away anytime soon, and it's one to really ponder on, when he's not completely preoccupied. The fact of the matter is, Max has come to accept this place he's at. Yeah, he's restless when they're not stationed or docked anywhere. And yeah, he has his bouts of monk-like silence. He has his distance measured not in miles, but in the faraway look he'll sometimes get when he thinks nobody's paying him any mind.
But he's — he's something. He's trying to pinpoint when it happened, but it feels unidentifiable. He's settling in a way he didn't anticipate. He's... almost okay, minus all of his baggage and issues. Vexing though it is, he's found a protectiveness in him as well that he didn't intend on ever finding. It's terrifying, and of course he wants to flee, but he's also learned that he can't just run from this one.
For better or worse, he's here.
He can be found with something rather peculiar, today.
An old record player. Yep, an old record player that is slightly busted up. He's been spending his time while healing working on this bad boy — in fact, he'll be ignoring a lot of his fellow crew in favor of trying to make it properly work. Max may be a simple man, but he's a lover of repairing, because it feels like there's something in his existence he can fix, if not himself or his mistakes.
A little cheesy Elvis'd never hurt anybody.
Can't help but wonder how many people back home even know what this is, let alone who sings it.
Is that something that's gonna die with him and the others like him?
He hobbles to stand and plays the record. Grainy but relatively maintained music pours into the vast, echoing chamber of the cargo bay. There's not a lot of records with it, but this is something he was actually able to recognize. It's probably not even an original from Earth — probably a remake of a remake of a remake of a remake, but he had been dead-set on getting this. In fact, he spent an obscene amount on it, for all that it didn't work.
Maybe there's something symbolic in that. Or maybe he just wanted to hear some goddamn music that wasn't Atroma-approved hogwash. You decide.
Re: open | finally his work in october pays off (depending on who you ask)
The music coming through the cargo bay catches her attention almost immediately, since she associates him with silence more than anything. She finds a wall to lean against while she listens to it, curious, a small, bemused smile creeping over her features.
"Hey.finally got it working?"
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He startles only minutely, connecting her voice with her name without delay.
Glancing back, he relaxes, nods. He's still a sad sight, but he's infinitely better not hanging by his ankles. "Mm, yeah. Took me a while. You, ah. Wanna see?" It's entertainment, at least. Something rarely found in their world. Antiques of the old world, they are.
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Yeah.
[There's no easy way to approach Max, especially given current circumstances, and Furiosa had made it a point to hang back until invited. She pushes off and makes her way over, but before focusing her attention on the record player, she makes sure she catches his eye and gingerly rests her hand on his shoulder.]
[of anyone here, she knows how deep these scars go. Her own brand sometimes burns and itches add if it were newly applied. This whole situation had it acting up more than usual.]
You want me to stay here for a while?
[He didn't need it, his crew was here, but they had an understanding and she at least wanted to offer herself, for silent emotional support if nothing else.]
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F'you want.
There's a box of records, f'you want to see, uh. If you like anything.
[He flicks his fingers through said record box, moving through each vinyl disc.]
Some of these're familiar. From before the fallout.
[The complete fallout, anyway. Max was lucky to have known any of this.
Most places in Australia had long since fallen, by the time home was wiped out.
He'd been gone before then, of course.]
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[For now, he catches her attention with mention of the fallout. She hadn't known anything else; either it happened when she was too young to retain memories or possibly before she was even born. Maybe the ruins were new when she was growing up in the Green Place, but the world that came before was almost alien to her.]
[She peers over his shoulder into the record box, looking at the covers and the people, their clothes, the surroundings.] What about that one?
[She's basing it solely off of the cover]
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cargo bay.
She stood with a cup of tea nestled nigh-affectionately in her hands. By all accounts, she looked well -- better, certainly, than Max did. Her blouse sleeves were rolled up to her elbows and she was in trousers. But that had been a common look for her, lately. Smart, but useful. Even so, she still wore the heels and they sounded as clipped as ever as she crosses over to inspect his work. She doesn't talk about his bruises, or about where he disappeared to, or about the slavers. She's waiting for him to talk about it first.
"It's beautiful," she breathed. Part of her wanted to turn on a heel and find Steve -- show him this treasure. But no, this wasn't about Captain America. This was about Captain Carter in communion with her crew. She set aside her tea and leaned down to scoop a handful of record sleeves into her arms. "Where did you get it?"
cargo bay.
His knee isn't as painful as before, though, and though he clearly has a hard time putting weight on it — it's better. He uses a single crutch to hobble around until the swelling's down and the medication does what it's supposed to. It's here that he gets up from his chair at the sound of her, as if it's a requirement of her company.
"Someone had it. Junkyard. Worked down there for a few weeks to get it."
And maybe spent some pre-existing credits he had tucked away.
Lord knows he never spends it; why not have this be the exception?
"You familiar?"
It's Elvis, man. Who doesn't know Elvis?
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"But I know the tech."
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"Had to repair it, but I like repairing."
He slowly sits back down, his wince only reaching the corners of his eyes. Sooner or later, the leg's gonna outright fail him, he knows. But today is not the day, and he has no plans to slow down anytime soon. He looks at the box, something pleasant (for the likes of Max, anyway) about his features. For all the tension he'd had the past few days, there is at least little in the now, as he listens to the tune.
"Maybe there's a record in there you know." A box of records, surely there must be a copy of something from her era. "... This'll be something you listen to. This song — the singer. Controversial, one of the biggest of the time. Just a kid when you're from, I think."
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Once upon a time, she might have been able to hear it: the rockier notes, and the cribbing from earlier genres. But she's been a woman too often exposed to 21st century noises. By comparison, this was downright soothing.
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She isn't expecting music, though, and when she wanders from her shuttle to the cargo bay, she finds herself a bit surprised that he's the one behind it. It isn't familiar to her - no surprise, there - and she tilts her head, listening to it for a few moments. And then she heads over to him, steps deliberately loud so she doesn't accidentally startle him]
What in the world are you listening to?
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He'd known she'd gotten out alive and in decent spirits, so he'd given her space; after all, it had been his fault for her injuries, or at least that's what he believes. If she hadn't been around him, she would have been without a mark or wound, and that's kind of guilt-stirring.
Max is good at being guilty.]
... Record player.
Bought it on the station.
[He seems a bit sheepish. Gruff, but sheepish.]
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I have never seen one before. They are meant for music?
[. . .]
How does it work?
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Not too complicated. There're grooves — here. [He points to the lines around the black disc.] Recorded vibrations. Currents generated through a magnet attached to the needle sends those vibrations through a loudspeaker to make sound.
[He seems far more comfortable explaining the specifics of the thing than, like, normal human interaction. Go figure.]
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Open
[She's still without a replacement prosthetic, and is recovering from her own wounds sustained while retrieving Max, but none of it seems to bother her any.]
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But he exists, he deals, he tries to assimilate again.
It doesn't mean he isn't jumpy around even familiar faces popping up while he's in deep through, though. Furiosa can find him staring a hole into one of the far walls of the kitchen, his thumb rubbing a red spot into his opposing wrist. Clearly, he's not really 'here'. Not right now.]
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[This, this right here, is exactly why she's needed on the Startruck right now.]
Max.
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... Furiosa.
[The name still sticks a bit to the roof of his mouth, but he's working on it.
Saying names is still very much new to him.]
Still here.
[He's never sure who to expect where. He's been a bit spaced out to keep track.]
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You'll make it worse.
[She's firm, but not harsh, and there's a softness to her look amid the concern. She couldn't even begin to imagine reliving those horrors from home.]
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And Natasha would say she acquitted herself respectably. She ought to, with her training.
Afterward, there's a moment of hesitation when Peggy invites her back to the Starstruck. The moment of caution passes quickly, though, and she agrees, accompanying Peggy back to her ship companionably.]
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then, at the same time as she offers natasha a chair: ] Wait. Let me guess. You'd prefer coffee? [ once upon a time, she'd hated making coffee for anyone. the act had become well-entrenched with her low rung on the office ladder. but these days, she's made her peace with the gesture. it's about being a gracious host, now.
and it's about catching more flies with honey than with vinegar. ]
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[Natasha takes a seat when it's offered, crossing her legs easily and leaning back.]
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[There's a dryness in Natasha's voice as she says it; one that suggests she can imagine why Peggy might be over making anyone else's coffee.]
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