Lance Hunter (
vouched) wrote in
driftfleet2017-04-17 11:23 am
084.1 Video
Who: Lance Hunter and yourself, should you choose to engage!
Broadcast: yes
Action: Marsiva
When: no time like the present!
[ the comm seems to be haphazardly leaning against something, and the image you get is crooked. a sleeping man, who almost instantly awakes with a start. no scream, mercifully, he's quite over screamer videos, and besides, it wouldn't really be that surprising under the circumstances, now, would it? his eyes dart around the room, his feet flying off the cot and touching the ground. the moment he speaks, his accent undeniably and unapologetically identifies him as an englishman. ]
Not again - [ he groans, looking around him. the first time he was knocked out and kidnapped happened because he was foolish, he trusted a friend when clearly he had overestimated the bond, bloody spies, he's had his fill of bloody spies. but this time - he has no idea what happened. one minute, he's in a pod, sailing to freedom and the next - he's in this bed. he must not have deactivated something. do they have a blasted tracker beam on these things? so paranoid! ] Oi, @therealshield, you forgot to paint your eagle - I'm gonna have to deduct your merits - [ no answer. the room really doesn't seem like anywhere his previous captors kept him in, and that's rarely a coincidence. he gets up, and the comm seems to slip off whatever it was leaning against and end up in a new position, one that shows the back of the man, as he walks towards a window. ] ...you have got to be joking.
[ and a moment later ] Bloody aliens!
[ the man comes in and out of the frame, as he's clearly examining his surroundings, before he heads back to check on what he's got by his cot, and notices the comm. picking it up, you now get a close up of his face - ] Little red light - you're either going to explode or - [ that sure looks like a camera, doesn't it? he holds it directly in front of his face. ]
Take me to your leader.
Broadcast: yes
Action: Marsiva
When: no time like the present!
[ the comm seems to be haphazardly leaning against something, and the image you get is crooked. a sleeping man, who almost instantly awakes with a start. no scream, mercifully, he's quite over screamer videos, and besides, it wouldn't really be that surprising under the circumstances, now, would it? his eyes dart around the room, his feet flying off the cot and touching the ground. the moment he speaks, his accent undeniably and unapologetically identifies him as an englishman. ]
Not again - [ he groans, looking around him. the first time he was knocked out and kidnapped happened because he was foolish, he trusted a friend when clearly he had overestimated the bond, bloody spies, he's had his fill of bloody spies. but this time - he has no idea what happened. one minute, he's in a pod, sailing to freedom and the next - he's in this bed. he must not have deactivated something. do they have a blasted tracker beam on these things? so paranoid! ] Oi, @therealshield, you forgot to paint your eagle - I'm gonna have to deduct your merits - [ no answer. the room really doesn't seem like anywhere his previous captors kept him in, and that's rarely a coincidence. he gets up, and the comm seems to slip off whatever it was leaning against and end up in a new position, one that shows the back of the man, as he walks towards a window. ] ...you have got to be joking.
[ and a moment later ] Bloody aliens!
[ the man comes in and out of the frame, as he's clearly examining his surroundings, before he heads back to check on what he's got by his cot, and notices the comm. picking it up, you now get a close up of his face - ] Little red light - you're either going to explode or - [ that sure looks like a camera, doesn't it? he holds it directly in front of his face. ]
Take me to your leader.

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The whole fleet can see your conversation with Agent Fitz. [ ... ] Tell me, are you with SHIELD?
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Ladies first.
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I'm not a SHIELD agent, if that's what you're wondering. [ but perhaps that's cruel without context. ] SHIELD doesn't exist in 1947.
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she's not shield. 1947. steve rogers. english. if he weren't so adapt at maintaining an ignorant expression, she could practically see the wheels turning. ]
What's your name?
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[ this marks the first time -- the first -- where she's embraced a legacy as-yet unlived. it had taken all the others who'd arrived before him to normalize, for her, the understanding that her name doesn't stay locked up in confidential files. hers becomes a name recognizable, and that there are moments (like this one) where perhaps she ought to embrace it. ]
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Carter. [ he'll give her that much, that recognition, that confirmation. he's not one for games, after all. ]
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[ -- good. she wants to know what happens. ]
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[ bad things, peggy. so many bad things.
simmons would be so excited to fill his shoes. coulson may just die again. but right now what hunter sees in front of him isn't the face of peggy carter: founder, but the faces of isabelle hartley and idaho: deceased. ]
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[ but you might be... ]
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What's in a name, that which we call by an acronym is no less a band of never-been-merry crusty old arsholes with a stick up their backsides. [ let her make of that what she likes, he's having a hell of a day and it is time to pay it forward. he's not even sure he believes any of this - time traveling nonsense. ]
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instead of pressing, again, for the information she wants, peggy sighs. ]
I always hated Romeo and Juliet. What a load of bollocks.
[ says a fellow starcrossed lover. ]
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[ a betrayal is far more what he's come to expect, in his love life as well as his professional career. die for nothing and no one but yourself, and you won't die in vain. ]
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[ really, he's the sort of man who has no business being high up in the shield food chain; he'll keep coulson's secrets, but the organization itself to him is the personification of madness. oh look, here's something or someone exceedingly dangerous! let's keep them! ]
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[ look, he's the one who brought up romeo and juliet. she's just following the analogy through. ]
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I like to see it as more of a cautionary tale on the destructive nature of secrets.
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[ agent hunter? she's not certain. she'll wait for a correction. ]
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no correction comes. being an agent was never an aspiration of his, he just grew attached to coulson and the team, liked being close to bobbi again - though that's out the window as a reason to stay now, now it's more about sticking it right back to her and mack. mister is fine with him. ]
Crosses my mind at least twice daily. [ okay, that's an exaggeration, again. most of the time he loves his job, and he can't pretend like having a steady employer, a steady team doesn't have its perks. but there was a reason he liked the private sector so damn much. things were so much simpler there. ] I could open quite a good pub, I reckon, serving the classics - none of these fancy master chef creations - good home cooking, bangers and mash, mushroom soup, Yorkshire pudding with a nice jug of gravy. [ there's definitely an underlying tone to his voice, though the alternative is one that pops up in his mind every now and then, on particularly bad days. it's a very particular type of person who sticks with this life forever - and that type is definitely not him. ]
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Add a decent cottage pie to the menu, and I'd be sold.
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The secret to a good cottage pie - mince your own meat. Putting it through a mincing machine is no more than mutilating the carcass into inedible stodge.
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[ well. except when captain america coaxes her into helping him in the kitchen, but that's a secret worthy of fort knox. ]
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[ everybody needs a hobby, something to do when there's nothing productive to be done, nothing to keep their minds from reliving the horrors they've endured. something to keep them from seeking out fake productivity that ends up biting them in the arse. ]
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That part's quite enjoyable too, particularly when you have good produce to work with. Can't imagine we get much of that on these bloody things - [ he taps the wall of the ship. he has no intention of doing much (or any) relaxing here. he's angry, and he will feed that anger until it explodes in the face of whoever it was who put him here. ]
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[ help her she's drowning in pumpkin soup. ]
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