Voices from Heaven (
thespaceopera) wrote in
driftfleet2017-04-14 04:39 pm
Entry tags:
- !mingle,
- allen walker,
- anthony j. crowley,
- ardyn izunia,
- arthur kirkland,
- asuna yuuki,
- aurae "tempest" le paulmier,
- beverly crusher,
- cara,
- charles xavier,
- erik lehnsherr,
- ezri dax,
- fenris,
- fie claussell,
- ignis scientia,
- jack sparrow,
- jennifer keller,
- katherine "kitty" pryde,
- kazuto "kirito" kirigaya,
- keith,
- kubo,
- kurt darkholme,
- lance hunter,
- lunafreya nox fleuret,
- mikleo,
- misty day,
- mon-el,
- natasha romanoff,
- pavel chekov,
- riona cousland theirin,
- rip hunter,
- sam winchester,
- sokka,
- sora niniji (au),
- takashi shirogane,
- takeshi,
- tina belcher,
- velvet crowe,
- winn schott,
- yuan ka-fai,
- yuri lowell
April System Mingle
Who: Everyone!
Broadcast: Possibly!
Action: April System
When: Month of April!

[Welcome to the Belt, a huge asteroid belt that's been terraformed for life. Here you can explore the different asteroids, become a rock star, race on some ATVs, enjoy not being underwater.
In other words, it's a mingle! Get in everyone!
> System Info ]
Broadcast: Possibly!
Action: April System
When: Month of April!

[Welcome to the Belt, a huge asteroid belt that's been terraformed for life. Here you can explore the different asteroids, become a rock star, race on some ATVs, enjoy not being underwater.
In other words, it's a mingle! Get in everyone!
> System Info ]

Rip Hunter | OTA
[As promised, one moment Rip is aboard the Marsiva, and the next, there's confetti and some brand of dark-colored cream nearby. How brilliant.
Of course the comparisons begin immediately: the layout of this bridge versus the one he knows so well, the difference in size, the apparent lack of any form of AI. It's an entirely too compact space for Rip's liking, but since he's been given every indication that he's stuck here for the duration, there's really nothing to do but get used to it.
Which is a thought he holds onto well enough, until he takes a look around the kitchen. Things start to click when he steps into that room in particular, and when it dawns on him as to why? He's somewhat less than thrilled.
...And perhaps debating the merits of issuing a shipwide apology now; someone must have a sense of humor, since the ship's brand new cook is a man who has gotten most of his food from a synthetic replicator for the past decade and a half.]
B: Meston
[Honestly, there's no real reason why Rip opts for Meston first; his goal is really more to get off of the ship than anything else, and Meston is close enough to serve that purpose. Not that the choice ends up going well for him, exactly--less than a day there, and circumstances wind up with him being sent to jail for something entirely pointless that also wasn't his fault, he wasn't even standing in the queue when someone decided they just had to cut in first.
Yes, he's having a great first few days as part of this new little fleet.
Once he's, ah, been liberated from jail in some form or fashion, Rip still sticks around--although maybe in a less security-filled area if he can manage it. One of the many problems he's discovering from being so entirely new is that he's got absolutely no credits to his name, which makes it rather hard to do--well. Anything. But there is work to be had, and manual labor tends to be a good way to keep one's head down and unnoticed--which is how he winds up playing delivery boy for a bit, loading and unloading transports, and getting a better feel for the area.]
C: Telluria
[It takes a bit for Rip to be happy with the number of credits he's made, but once he is? The manual labor is off, thanks. He might be stronger than he looks, but he's still, as someone from home once put it, "a skinny little Englishman," and would rather be spending his time on other endeavors.
Now, just what those things might prove to be, he truly has no idea. But he moves on to Telluria regardless, having caught glimpses of the bustling city at times during his former employment. It really is a different atmosphere entirely, much more lively and raucous--and pricey, as Rip is quick to work out. It's quite alright though; he doesn't necessarily plan to stay long.
He's gotten curious, however--not necessarily by the sights, but the sounds. While he's not typically a man of indulgence, Rip has long enjoyed assorted musical endeavors from throughout time. This place, it would seem, is in the midst of it's own rock and roll awakening. It's rather fascinating, especially as bands seem to gathered up almost at random to suddenly put on performances.
Though not all of it is to his particular tastes, Rip does make it a point to take in a few shows, be they put on by locals or apparent members of the fleet, many of whom seem ready to flock to one stage or another. Really, it's entirely different from how Rip would typically handle himself on some excursion in space and time, as he's been trained to make as minimal an impact as possible.
Get there, get the task done, set the timeline right and go.
It really is going to take time to wrap his head around all of this--and after so long spent with the Legends, that really is saying quite a lot.]
D: Wildcard
[Choose your own adventure!]
A
Except for food.
And while the food here isn't exactly cutting edge cuisine, Doudanuki is a tsukumogami so he really doesn't care what his food is as long as it goes in his mouth. Which is why he's in the kitchen when Rip wanders in, rummaging for whatever flavored kelp or bit of leftover water monster meat he brought back from their last planet is still in their commissary.
He sticks a piece of dried eel meat in his mouth then glances up at the sound of someone entering. Then decides that, as communications officers, he has to be the one to give the bright and eager welcome message to the newcomer!]
....Who the hell are you?
[yup, so bright, so welcoming]
no subject
Rip Hunter. [He leans against the entryway, arms crossed over his chest as he takes in the sight of someone who is presumably one of his new shipmates. At least when he'd been gathering the Legends, he'd had the opportunity to research and choose his comrades. Granted, he'd been selecting them based on their importance to the timeline rather than any sort of other long-term consideration, but still.
He'd been a great deal more prepared.]
I was just transferred onto this vessel a short while ago. [There are actually still a few bits of confetti in Rip's hair if Doudanuki would like proof.] And you are?
no subject
Doudanuki glances up at the bits of colored paper in Rip's hair, then down at his outfit - long coat, empty holster, not entirely practical, but better than most. Whoever this guy is, he isn't wearing armor or boasting pointed ears like some of the people he's met here, so Doudanuki assumes this is a human.
Then he goes back to rummaging in the cabinet to grab a different piece of eel meat. He stands, turns, and tosses it at Rip. Humans need to eat, too.]
I'm the war sword, Doudanuki Masakuni. Welcome to the Caprine, I guess. And the Fleet, for what it's worth.
no subject
Fortunately, Rip happens to have decent reflexes. He catches the tossed over offering easily enough, although why he's suddenly being thrown a dried piece of fish isn't so readily apparent.
Rather like what Rip presumes to be the man's title.] "The war sword?" [Sounds appropriately pleasant, given the man's personality thus far. Not that Rip is necessarily one to talk.
Still, he offers up a name and a warmer welcome in return, so there's that.] Well met, Mr. Doudanuki. For what it's worth.
[He acknowledges that with a small nod, since it's apparently clear to them both this is less than an ideal situation.]
no subject
[He shrugs and then, because everyone needs a demonstration at first, he points at the black-sheathed Japanese katana resting up against the wall.]
If you pick it up, you'll see what I mean. And you don't gotta "Mister" me. I'm just a sword, not some kinda lord or whatever.
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It's a rather well-engrained habit, I'm afraid. And even if you are just a sword--[he says, still thinking it to mean something akin to warrior]--you're also a member of this crew.
[As unwillingly as Rip to be sure, but that's no reason to be improper to the man.
He reaches for the katana then, picking it up below the hilt so it doesn't come unsheathed.]
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c.
[ the comment is made quietly, and more to herself than to anyone else. peggy is picking through a street-side rack of simple shirts -- men's shirts, it seems. with a huff, she inspects the seam on a tunic-type piece. too long, she thinks. and the stitching looks shoddy for so steep a cost.
even so! steve needs something to wear while the serum is suppressed. she glances up and spots rip hunter (although she doesn't immediately recognize him at this angle) and calls him over with a sharp oi, you, please? he's just off the street, and he's nowhere near as lean as steve is at the moment, but any port in a storm eh? ]
Do us a favour and hold this up against your -- oh, it's you.
[ peggy's chin lifts. ]
Re: c.
Of course, he's not expecting to be summoned upon walking in, and Rip looks at the approaching woman with no hidden measure of surprise as she brings over a--what is that, a tunic? She seems ready to use him as a model for comparison, but it clicks for her just who he is right at the same moment it clicks for him.]
Indeed. Hello, Miss Carter. [He nods his head once by means of greeting, then pushes his coat back so he can slide his hands into his pockets. In truth Rip actually is rather skinny, although the layers of clothing help hide that a bit.]
...You're not planning on buying that, are you? [Rip frowns; he's caught sight of the same seam, and it warrants a frown.] The stitching on that is bloody awful.
no subject
she fingers the seam. ] I don't need it to last, frankly. And afterward it could make for a decent grease rag.
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Rather a lot to pay for a grease rag, isn't it? [No, he hasn't looked at the price, but given the look of this place? Rip feels it a comfortable enough assumption.]
no subject
[ rather, the other asteroids seem to sell larger garments that are then intended to be taken in at home. ]
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[No, he's not asking that as a joke--not entirely. Of course Peggy is free to negotiate as she wishes (and honestly, Rip pities the poor fool who is to be subjected to her haggling), but it seems there's a simpler solution, particularly as he's sure Peggy doesn't mean to buy this garment for herself.]
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a
I must have missed your entrance. Sorry about that.
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Quite alright. Despite the confetti, it really wasn't all that spectacular. [He grins briefly, unhappily, but more at the situation as a whole than the man himself.]
Rip Hunter, by the way. Apparently I'm the newest member of the crew.
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Leonard McCoy. I run the medlab here and work the surgery center on the Iskaulit. Also captain of this ship.
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Well met, Captain McCoy. [Even if, thanks to an earlier conversation, Rip's first thought is to wonder if that's by merit or default--thanks Peggy. He presses his lips into a tight line, giving another look over the kitchen.]
And apologies. The longer I'm here, the more convinced I am that I've been assigned to be the bloody cook, of all things.
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Are you already apologizing for the food?
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[Simple enough.
He huffs out a soft breath, and yes, that might have been something of a laugh.]
I'm afraid so. I've been warned it's of questionable quality anyway, and I don't exactly have much cooking expertise, no matter what the augment is feeding into my brain.
[His ship had replicators. Cooking hadn't strictly been necessary.]
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B
By chance he ended up next to Hunter during a performance, pushed with the natural flow of the crowd. He glanced over when bumped Hunter, flashing an apologetic grin. ]
At least it's not the mosh pit, right?
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A what? [Sorry Kirk; Rip's version of a rebellious youth didn't include rock concerts.] I'm not familiar with the term.
[Although now he'd like to be, in order to know what to avoid.]
B
he walks through the farmers market examining the goods on offer, when a particularly overzealous officer nearly crashes into him in his haste to apprehend a very naughty ware-sampler (a crime hunter is very much guilty of as well, but there's no need to mention that, is there?). hunter evades the body slamming by running into another bystander - one he happens to recognize. ]
Hey - watch it! [ he turns towards rip ] You alright, mate? Seems like excessive use of force is the one thing that's legal around here -
[ making no attempt to keep his volume down. you wanna arrest him for that? good luck. ]
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And equally careful not to do something ridiculous, like curse loudly or cut in line.
Rip's mastery of being at the wrong place at the wrong time continues, however; he's minding his own business, moving from one stand to the next, when he's struck full-on by someone. It takes Rip a moment to place the face, mostly because he's rather occupied with staying on his feet first.]
Bloody hell, I'm fine. [The annoyance isn't at Lance specifically, especially not when Rip looks over to see what the man is shouting about. He rolls his eyes with a low groan then--just what he wants to happen, when Rip himself is technically an escaped criminal.] Fantastic. Tell me someone didn't cut in the queue again.
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[ it's probably not smart, to continue taunting the officer at normal volume with a definite aggression in his voice, but hunter never pretended to be smart. what he is is angry; angry at bobbi and mack, angry at the atroma, angry at this stupid asteroid that thinks 1984 is an operational guide.
he's looking for a fight to take all that anger out on. ]
Aren't you going to arrest yourself for destruction of property, excessive shoving, and clearly the worst offence of all - clothes wrinkling? [ yup. now he's pushed it. may as well go all the way with it, right? when the officer approaches him he punches him square in the jaw. ]
no subject
Somewhere between that approach and the first punch, Rip hears the predictable recognition, given that he's standing so nearby the instigator. With a muttered bollocks as he now has no choice, Rip is quick to join the fray once someone tries to lay hands on him. Once more he's found missing his revolver, but in a pinch—well.
He's quick to grab a rather hefty potato off a stand, barely looking at it before throwing it square into the face of one of the security forces.]