Voices from Heaven (
thespaceopera) wrote in
driftfleet2015-10-20 11:18 am
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Entry tags:
- !event,
- ahsoka tano,
- coil lenn,
- margaret "peggy" carter,
- nami,
- natasha romanoff,
- nelkeila tarid,
- nyssa al ghul,
- octavia blake,
- one,
- phèdre nó delaunay de montrève,
- r. daneel olivaw,
- rapunzel,
- remy lebeau,
- riku,
- robin redbreast,
- rogue,
- santanico pandemonium,
- shawn hunter,
- sokka,
- stefan salvatore,
- steve rogers (ou),
- steven quartz universe,
- stiles stilinski,
- syeira,
- tadashi hamada,
- tekhetsio,
- the vision,
- vash the stampede,
- vima sunrider,
- wanda maximoff,
- wrath,
- yamanaka ino
...And also these.
( for N-Z characters )
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Remy LeBeau
As people move deeper into the room, possibly to try the second door that is found in the room or to look out of the windows or move closer to the painting, they will come up against an invisible wall of resistance. It is as if the person has run into a sheet of plastic, it moves and stretches if touched, warping the world behind it, yet with enough pressure it can be punctured and let the person past through it…
…Once through the barrier the person will find themselves on the edge of a cliff with a crumbling edge. Leaning over it will show no bottom but the sounds of water breaking against rocks can be heard, as a constant thunderstorm sparks and rumbles in the distance, it set in a permanent red hue. Being in this ‘room’ the person is slammed with fear, nothing slow or lingering to it, they get the full brunt of it that weights down on their limbs and sits hard against their ribcage, pinned around their heart. The stench of gore and blood is mixed with a sharp bite of disinfectant, the main walkway lit harshly with white light as the edges of the walls fall into unexplainable darkness.
There is no sign of any form of exit, just the set of stairs leading down to the barred cell at the end, in which a shadow figure flickers in and out of existence, moving around their small space but been seen as nothing more than a staticy black mass. It is not until the viewer hits the second to bottom stair they feel the barrier again, yet unlike the previous one this one PULLS them back through it without any choice, returning them to the room they had started in. Once again they will have that feeling of being home once they return to it, but now there is an underlying feeling of dread that tries to scratch and break through, as if a monster is pushing at that barrier the viewer now knows is there, wanting to break through and destroy this world as well.
[Link to calibration and room details found HERE. Please view before commenting. Note of 'BARRIER' being shown as blue line in images, shades areas are not accessible.
WARNINGS for generally dark situation, medical experimenting.]
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peggy carter, lost amidst the mind-rooms of the fleet's fellows, stumbles upon this. at first, it appears innocuous. harmless, really, except that even outside the mind it's likely that a simple room is never quite so simple. peggy paces from one side to the other -- walking the long line across the room's length, and keeping far from the portion that feels less...welcoming.
instead, the glint of a ring catches her eye. with curious fingertips, she scoops up the ring from where it sits. ]
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A single word comes to mind as she holds the ring; 'Why?'. It is broken, aching, and full of betrayal.]
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but she can't quite walk away, either. peggy drags a fingertip through the blood. ]
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[The voice comes from a figure that could had been missed upon entering the room, it seated on the bed, back against the headboard and feet crossed at the ankle and resting on the bed itself. It appeared more of a shade of a person than a full being, half faded out of existence, the only thing fully visible was a joker style mask the person worn. Despite the mask it is still recognizable as Remy, for those who knew him, in that type of dream sense that made sense despite the fact it shouldn't. A deck of cards is shuffled between his hands, moving from one hand to the other in a smooth transition, occasionally charging with a flare of pinkish orange energy before vanishing again.]
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she stays near the dresser, but half-turns her body so she can watch the specter on the bed. ] Are you here to play a game?
[ asking, of course, about the cards. ]
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Okay, that was enough of that. Eyes open now, Rogue moves to inspect the perimeter of the room - after all, them's the rules, and they have been pounded into her. It's a bedroom, that's clear to see... and that feels oddly intrusive, and she'd likely be uncomfortable, if it wasn't for that still all-pervasive feeling of home.
She pauses at the knife pinning the ring of gold - a wedding ring? - to the chest of drawers, but she doesn't reach out to touch it. Not yet. First she needs to make sure she's alone. That's the rule. Clear the room.
She opens up the closet, because it's huge and someone could be in there, but... nope. Oh now that was a nice jacket. She really, really, really wanted to try it on. But Rogue was unfortunately used to denying herself, so she moved on to finish clearing the space.
She gives the photos a lingering glance and actually put her hand on the chair by the work desk as she did. Glancing around the room one more time, it does at least appear to be empty...]
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For now, everything is still and settled, bar the sounds from outside the door and the occasional hand print that appears on the window.]
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...was someone at the window?
She approaches it, moving quickly around the bed to confront whatever it was, only to run smack dab into the invisible divide.]
Ugh! What the--
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TALKING MASK!
THAT'S NOT CREEPY!
Rogue whirls, eyes wide to face... a ghost.]
...Remy?
[It's the voice, it's the eyes, it's the... really creepy joker mask, ugh.
...though looking at it, she can see New Orleans written all over it. Yeah. Okay. Now she knows where she is.]
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[ Jim walks forward. The painting catches his attention only long enough to place the art style (post-impressionist) and idly he picks up the playing cards, led and ruled by the sensation to shuffle them as his eyes meet the rosary. He's no praying man, though he's called on God a few times. ]
[ Oddly, he can't seem to lay out a game of Solitaire. The cards just keep shuffling, and his fingers feel warm, with no fire he's ever felt. ]
Hard t'get an ace up your sleeve like this.
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Y'cheat, do ya?
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Still, he's careful as he walks around, not wanting to disturb anyone who might be nearby. The playing cards are what catch his interest first: Shawn moves towards them, reaching out for them as if he'll shuffle another deck. He knows he can't quite pull off Remy's sweet moves, but hey - practice always makes perfect. Except, uh, the cards don't stop shuffling.
Hang on. The cards don't stop shuffling.
He'd yelp, because crap he knows exactly what this means, but he--oh, he goes ahead and tries to pull away anyways.]
I'm sorry, okay? I swear, after this whole thing's over, I'll actually pay attention to what I eat.
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Do I really have to call in questionin' ya normal eatin' habits?
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Nnnnot this time? I hope?
[A nervous laugh.] Usually, when I have weird dreams, it's because I ate something really funny.
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[The cards themselves vanished from view as Remy closed his fingers around them and he moved away from the bed to the set of draws across the room, crossed his arms over his chest and rest a hip against the edge of the furniture. He waved a hand at Shawn.] Failin' that workin', guess can more or less make yaself at home since we stuck here.
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Hey, if you're with me, I think I can tough out anything. [He takes another look around the room, trying to discern what else might catch his eye...] But you know. When in doubt, blame your culinary failures.
[He glances over at the walls of photos, raising an eyebrow at the Mardi Gras beads.] That's a lot of beads you've got.
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